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Film1


Why is Mr W. Laughing?   
Film2


Walkabout: The voyage of Lord Moyne to New Guinea 1935-6   
Keynote


Art and Anthropology for a Sustainable World   
P001


Making images, making worlds. Art-Process-Archaeology   
P002


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Art as Ethnography/Ethnography as Art   
P003


Representing and Depicting Animals   
P004


Architecture and Anthropology   
P005


Photography in Archives and Practice   
P006


Museums of Asian Arts outside Asia: Questioning Artefacts, Cultures and Identities   
P007


Aesthetics and the making of religious collectivities   
P008


Anthropology in the Art Museum   
P009


Art and Personhood in the Historical Moment: Rethinking Gell and Strathern.   
P010


Australian Aboriginal artists, the archive and cross-cultural collaborations   
P011


The effects of digitisation: art, object, knowledge, responsibility   
P012


Dis/enchantment and the popular arts in Nigeria   
P013


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Drawings Of, Drawings By, and Drawings With...   
P014


Representing 'Modern' Global, Local and Imperial Histories in Object-Centred Museums   
P015


Breaking the Silence: Heritage Objects and Cultural Memory   
P016


Art, Authenticity and Authority: Traversing the Power Struggles   
P017


Seeing Past the Settler Gaze: Objects and Objectivity in the Post-Colonial Archive   
P018


Notions of Failure in Art and Anthropology   
P019


Art (and anthropology) beyond materiality and representation   
P020


Making, Materials and Recovery: Perspectives "from the inside"   
P021


Anthropological Traditions, Critical Theory and Museological Diversity   
P022


Doing, making, collaborating: art as anthropology   
P023


Fashioning Africa: performance, representation and identity   
P024


Material subjectivities and artistic expression in visual anthropology   
P025


Agile Objects: The Art and Anthropology of Re-materialization   
P026


Participation and Guardianship: On the Ownership of Images in Movement   
P027


Materialising the Imagination: How People Make Ideas Manifest   
P028


Mutable Materialities of Indigenous Ways of Life   
P029


Bodies of Archives/Archival Bodies   
P030


Art and History Museums in the Middle East as places of social and political production   
P031


Re Materializing Colour   
P032


Museum Affordances: Collections, Interventions, Exhibitions   
P033


Curating futures   
P034


Cultural Professional Practice in the Age of Globalisation   
P035


Art, Culture and Materiality in the Arabian Peninsula   
P036


Ethnography and the repatriation of artistic heritage   
P037


Museums as contested terrains: Memory work and politics of representation in Greater China   
P038


A clinical anthropology of art: theoretical, practical and disciplinary implications   
P039


Liberating the past or haunting the future?   
P040


Art and Material Culture in Prehistoric Europe   
P041


A Grey Zone: Sites of Contemporary Art and Anthropology   
P042


Knowing by singing: song, acoustic ecologies and the overflow of meaning   
P043


Performance, design and aesthetics   
P044


Revealing Histories of Violence: The Representational Politics of Trace   
P045


From Palestine Out: Art and the Political Imagination   
P046


Exhibiting Anthropology beyond Museum Collections   
P047


Ka Waihona Palapala Mānaleo: Challenging Provenance in a Time of Resource Abundance   
P048


The Future of Anthropological Representation: Contemporary Art and/in the Ethnographic Museum   
P049


Beauty and the Beast: photography, the body and sexual discourse in the Middle East and Central Eurasia   
P050


Re-thinking Source Communities: Plural, Urban Indigenous Communities and Cosmopolitan Objects   
P051


The indigenous city: ecologies, imaginations and the urban space in Latin America   
P052


Artefacts and visual systems in Oceania and America   
P053


Ethnographies of Art, Materiality and Representation: Between Art History and Anthropology, A SOAS Tradition   
P054


Ephemeral, transformational and collaborative: Ethnographies of art events   
P055


The Anthropology of Drawing   
P056


Photography and Political Belonging   
P057


The Aesthetics of Modelling: patterns, politics and pleasure in visual representations   
P058


Making and Growing: the art of gardens   
P059


"Culture in Action": Between Performance and Ethnography   
P060


What makes an artist? Examining the social and pedagogical influence in being and becoming artists   
P061


Amazonian Contemporary Art, and its Impacts in Fixing Imaginaries in Transmutational Cultures   
P062


Design Anthropology: Uniting experience and imagination in the midst of social and material transformation   
P063


Heritage, beyond materiality: intangible cultural heritage, collaborative methodologies and imaginations of the future   
P064


Redefining the curator, curatorial practice, and curated spaces in anthropology   
P065


The state of the art: the anthropology of art and the anthropology of the state   
P066


Art with/for the community: anthropological perspectives   
P067


Ambivalence about art: dilemmas for ethnographic museums.   
P068


The Future of Craft: Apprenticeship, Transmission and Heritage   
P069


Confluences of Art History and Anthropology   
P070


Apprenticeship: Illuminating Persons and Places through Shared Practice and Performance   
P071


A Unique Perspective: The Digital Transformation of the RAI Archive   
P072


Making Research Material: Anthropology, Creative Art, and New Materialisms   
P073


Tourism, Materiality, Representation and 'the Large'   
P074


Going beyond the contemporary? Art, anthropology, ontology   
P075


Art and Autonomy Across the Global South   
P076


Hybridity Between the Practice of Art and Ethnography   
P077


Urban Memories: Mobility, Materiality and Photographic Practice   
P078


Art, cinema and animism in Modernity and Extra-modernity   
P079


For an anthropology of the art world: Exploring institutions, actors and art works between circulation and territorialisation processes   
P080


Depiction of the Dead: ethical challenges and cognitive bias   
P081


Comparing Notes: Realising the Sacred and the Self in Art   
P083


Performing Culture: Art and Performance for Coming to Know and Expressing Knowledge in the Social Sciences   
P084


Aesthetics and Performativity: Form and substance in cultural politics   
P085


Containers / Containment   
P086


A Museum of Architecture: Challenging Representation(s)   
P087


Stories with things: processing materials and generating social worlds   
P088


Deliberate Destruction of Cultural Heritage   
P089


The Anthropology of Creativity in Art   
P090


Relating to Raptors: The Art of Human Engagements with Birds of Prey   
P091


Anthropologies of witnessing: imaginaries, technologies, practices   
P092


The art of infrastructure   
P093


The Performativity of Matter: Decolonial Materialist Practices in/from the Global South   
P094


Creative Art/Anthropology Praxis as Revelation and Resistance   
P095


Organ transplantation and art: The ethics and politics of representation   
P096


Humanism in the Anthropology Museum?   
P097


Art and Craft and the Politics of Re-inventing Tradition in Postcolonial Spaces   
P098


Beauty and its Dilemmas   
P099


Representations of displacement and the struggle for home and homemaking   
P100


Collections as Currency? Objects, Exchange, Values and Institutions   
P101


Art, Dreams and Miracles: Reflections and Representations   
P102


Art beyond visual (cognitive designs) as creative praxis: A nexus for uncertain worldview   
P103


Archives and Anthropology   
P104


Indigenous Material Culture and Representation   
P105


Museums and Anthropology: Colonial and post-colonial collections seen through museums, art and history    
P106


Tourist Art and Commodification   
P107


Conflict and Activism   
P108


Materiality and Imagining Communities   
P109


Curating with an Anthropological Approach   
P110


Materiality, Body and Art Practice   
Plenary1


Opening and Plenary   
Plenary2


Knowing and speaking about objects: reflections for a new research grant programme   
Plenary3


Art, Ethnology and Indigeneity   
 
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