Short Abstract:

This panel invites visual anthropologists and filmmakers to reflect on the evolving role of ethnographic film in embracing political engagement. How do feminist perspectives challenge the longstanding taboo of neutrality, reframe discussions of objectivity, ethics, and collaboration?

Long Abstract:

This panel critically engages with the evolving role of ethnographic filmmaking as a platform for political engagement, specifically through a feminist lens. Visual anthropologists and filmmakers working with marginalized communities and activist groups often navigate the ethical tensions between creating socially conscious, politically motivated work and the pressures to maintain an appearance of "neutrality" or "objectivity." We invite contributors to examine how feminist perspectives challenge these norms. At the heart of this discussion is the democratizing potential of documentary film and multimodal anthropology, allowing us to reach beyond academic discourse, and engage a broader public in ways traditional platforms cannot. Yet, are we maximizing this capacity or simply speaking to like-minded people? How can we leverage the power of ethnographic film to foster broader, more inclusive conversations?

In addition, the feminist ethos emphasizes care ethics and collaboration, highlighting that academic and filmmaking practices are inherently collective efforts. This collaborative approach reflects a shift toward a professional ethic against the culture of overproduction and (self)exploitation. By embracing these values, we align with generational aspirations to establish new norms in visual anthropology and filmmaking. We welcome ethnographically grounded papers that explore strategies for embedding collaborative filmmaking, co-authorship with marginalized communities, and direct engagement with activist groups. Contributors will reflect on balancing objectivity with political commitment and the influence of their practices on the political agency of the communities involved. This panel discusses how film can serve as a tool for political action, advancing an engaged, ethically accountable form of visual anthropology.

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