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- Convenors:
-
Frances Wilkins
(University of Aberdeen)
Brenna Shay Quinton (University of Aberdeen)
Mary Stratman (Elphinstone Institute, University of Aberdeen)
Send message to Convenors
- Chairs:
-
Frances Wilkins
(University of Aberdeen)
Mary Stratman (Elphinstone Institute, University of Aberdeen)
- Format:
- Film
- Location:
- Film room
- Sessions:
- Wednesday 4 June, -
Time zone: Europe/London
Short Abstract:
The Society for International Ethnology and Folklore invites film submissions to be screened or presented during its 17th Congress, which will be held in Aberdeen, Scotland from the 3rd to the 6th of June 2025.
Long Abstract:
For the film programme, we encourage submissions that engage with the process of unwriting, challenge hegemonic frameworks which limit us to predetermined paths and casually accepted paradigms. Ethnologists, folklorists, cultural and social anthropologists, and representatives of related disciplines (e.g. urban planning, architecture, design) and institutions (museums, archives, etc.), as well as filmmakers and other artists (e.g., photographers, sound designers) are encouraged to submit film proposal for screening and discussion during the conference.
Accepted films:
Session 1 Wednesday 4 June, 2025, -Film short abstract:
The film explores the ritual performance of Nava Durgā, a Hindu tradition of the Newar people in Nepal. The film focuses on three devagans from different generations, capturing their roles as divine incarnations while delving into rituals and the challenges of preserving this cultural heritage.
Film long abstract:
The film is the culmination of a six-year collaborative research with the Newar interlocutors. In Newar culture, "devagan" signifies a group of deities. This documentary explores the ritual performance of Nava Durgā, a Hindu tradition practiced by the Banmālā caste of the Newar people in Bhaktapur. Originating in 1512, the dancers and musicians, known as devagan, are considered human incarnations of the nine manifestations of goddess Durgā.
The documentary delves into the intricate layers of the performance and rituals through the narratives of three devagans, all from the same family. The grandfather, the chief devagan overseeing rituals, narrates the myth of Nava Durgā. This tale comes to life through the performances of his son-in-law and grandson—two actively engaged devagans.
"Devagan" sheds light on this living tradition in a contemporary context, exploring themes such as local beliefs, ritual practices, and the challenges faced by the Nava Durgā tradition. Through the eyes of three generations, the film provides a compelling journey into the heart of a cultural heritage that has withstood the test of time.
Title (original): | DEVAGAN |
Duration (in minutes): | 66 |
Language(s): | Newari and Nepali with English subtitles |
Director(s): | Shan Du |
Film short abstract:
An experimental journey into childhood memories, reclaiming power for the seven-year-old self.
Film long abstract:
A Guide to Dance for Adult Children is an experimental journey through the lens of VHS home movies, delving into the childhood memories of the director and revealing dance not merely as a means of expression but also as a profound manifestation of existence itself.
A video camera captures young Sadaf dancing freely and recklessly at various family gatherings. We witness Sadaf growing up, and her movements becoming increasingly sophisticated. We see how music and dance play an important role in her life. However, all of this can only happen within the private walls of her home, as it is strictly forbidden for women to sing or dance in public.
The footage offers a precious glimpse into this intimate world of a woman in Iran. Then there is a clear turning point: we see Sadaf putting on the hijab. The family camera documents the day of her entry into a school with gender segregation, where girls are forced to wear the hijab from the age of six. But as fate would have it, Sadaf is expelled from class due to her passionate love for dancing.
At this juncture, the story creatively blends memory with imagination. By doing so, it avoids exaggerated depictions and instead focuses on restoring a sense of agency and power to seven-year-old Sadaf and her classmates. Through this imaginative lens, we see a reimagined version of events where Sadaf's spirit and individuality are celebrated, offering a narrative that challenges and transcends stereotypical portrayals.
Title (original): | راهنمای رقص برای کودکان بزرگسال |
Duration (in minutes): | 14 |
Language(s): | Farsi |