Paper short abstract:

In my paper I explore creative autobioethnography and how it merges ethnographic methodologies with creative non-fiction. My analysis of the novel Cabañuelas asks: How does it integrates ethnographic methodologies? What happens in fiction when lived experiences join formal ethnographic research?

Paper long abstract:

I draw upon the theories of ethnographic research and Chicana feminist studies to explore the creative process as it evolves from gathering stories and analyzing cultural expressions to the finished creative work. Gloria Anzaldúa urges that we create our own theories to analyze our heretofore marginalized work, to excavate the unique cultural production across boundaries, and to shape new ways of thinking about academic works. Specifically, I will use my own work as a researcher and the process I used in writing Cabañuelas, a text that is rooted in fieldwork conducted in Spain and Texas. I explore creative autobioethnography and how it merges ethnographic methodologies with creative non-fiction. The key questions I raise are: How does field work make its way into a creative narrative? What are some concerns for the development of narrative? How does creative autobioethnography integrate ethnographic methodologies? Does a different methodology emerge when formal ethnographic research is coupled with lived experiences?