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- Convenors:
-
Martin Heřmanský
(Charles University in Prague)
Hedvika Novotna (Charles University in Prague)
Dana Bittnerova (Charles University)
- Stream:
- Rural
- Location:
- A224
- Sessions:
- Wednesday 24 June, -
Time zone: Europe/Zagreb
Short Abstract:
Considering the concept of rurality reproduced since the nineteenth century by scholars as well as politicians and media, the panel address the issue of the role of rurality as utopia and/or heritage in defining, negotiating and reproducing the contemporary European village in various discourses.
Long Abstract:
Since the nineteenth century, scholars have shaped the representations of European villages as rural communities, that is ideal/idealized societies, where the pure national character was preserved and where the core values and morals of society were reproduced. By this, rurality and "traditional rural culture" as an interconnected system of subsistence, values, norms, symbols and prestige, in which form and character of subsistence (i.e. agriculture) influence all other cultural components, was created. This construct was also promulgated by many national revivalists active both in academic and public life and was used in politics as well.
Even though it seems untenable today to think of some space as culturally homogeneous, the concept of rural communities still acts in relation to contemporary European villages. By redefining, rethinking and/or negotiating its content, scholars as well as politicians and mass media in fact reproduce this concept.
We will thus ask: Is a "village" really such a specific space? If so, it is possible to define and describe its constituent features? Who negotiates these features and how they are negotiated? How are these negotiations influenced by construct of rurality as utopia on the one hand and as heritage on the other? And does rurality as a construct and/or a practice operate in a contemporary village?
Accepted papers:
Session 1 Wednesday 24 June, 2015, -Paper short abstract:
Authors analyze the literary construct of Croatian countryside, more closely formed in the period of Croatian Illyrian movement, as envisioned in the travelogue of A. G. Matoš Around Lobor and its relation to notion of contemporary village.
Paper long abstract:
As a particularly prolific motif, the Croatian countryside made a great entrance in the Croatian literature in the period of romanticism and realism. Evolving out of the Illyrian political movement (1835-1848), the dichotomy consisting of romantic idealization of rural landscape on the one hand and the depravity of the urban setting on the other, has been widely accepted and perpetuated in the works of some of the greatest Croatian authors of that time. Accordingly, such image of rural landscape is particulary exemplified in Antun Gustav Matoš's modernist travelogue Around Lobor. Although not without criticism, the countryside here as well (presented as a series of images during the author's travel) serves as a backdrop for a highly idealized representation of Croatian heroic past, as well as a chronotope of core values and morals in contrast to "shallow everyday life". Such imagery in Around Lobor is accompanied by the descriptions of decaying nature, not uncommon to contemporary representations of countrylife in Croatian everyday media discourse. We will analyze (1) how Matoš created (counter)memory of "utopistic" image of countryside, constructed by the revivalist Illyrian movement and how are these ideologemes presented in literary text; (2) how has this representation of Croatian countryside survived to this day and has it - and in what way - re-defined its semantic scope in everyday public discourse.
Paper short abstract:
There are a lot of problems connected with mediatization of Polish contemporary rural life. In my paper I would like to present peasants ways of coping with problem of building cultural identity in mediatized world and also answer a question about specificity of Polish contemporary village.
Paper long abstract:
Everyday life in Polish villages is fulfilled by work, social interactions and media. Television and the internet are important factors in creating reality, which is therefore mediatized. Although the inhabitants of villages still consider local traditions as significant part of their lives, there is no doubt that local heritage play different role in people's life than in the past (f.e. 20-30 years ago). How they build their cultural identity in this situation? Do they look for values which comes from local traditions or do they prefer to use media content for that? During my ethnographic studies in Polish villages (2005-2013) I have observed that there is uncertainty in the assessment what values are the most "useful" in building cultural identity. Those which comes from local traditions sometimes seemed to be not congruent with reality. Those seen or heard in media (especially Polish TV series), which I described as elements of mediatized traditions, were considered as more helpful. There are a lot of problems connected with mediatization of contemporary life. In my paper I would like to present peasants ways of coping with this situation and also answer a question about specificity of Polish contemporary village.
Paper short abstract:
Based on team ethnographic research we have been conducting in a Slovak-Hungarian village in Southern Slovakia since 2008, we argue that rurality is constructed both as heritage and utopia according to the mode of the rurality in question and that both influence sharing and negotiating of relations and statuses of village inhabitants.
Paper long abstract:
Villages (at least Central European ones) have been for long conceived as a rural spaces endowed with specific “rural culture” established on the concept of rurality. Based on team ethnographic research we have been conducting in a Slovak-Hungarian village in Southern Slovakia since 2008, we distinguish three main modes of rurality operating in Czech and Slovak villages: (1) rurality as an embodied practice, (2) constructed rurality and (3) rurality as a tool of de/legitimization. These draw on the one hand on rurality as a social fact and on the other hand of rurality as a discursive formation, comprising of expert, public and participatory discourses. We thus argue that rurality is constructed both as heritage and utopia according to the mode of the rurality in question and that both influence sharing and negotiating of relations and statuses. Stressing the importance of rurality in the individual life projects of village inhabitants leads us to an employment of an alternative concept of post-rural worlds.