Click the star to add/remove an item to/from your individual schedule.
You need to be logged in to avail of this functionality.
Log in
Click the star to add/remove an item to/from your individual schedule.
You need to be logged in to avail of this functionality.
Log in
This paper explores the sense of sight, both optical and internal, in the presentation, contemplation and creation of illuminated manuscripts. Illuminated manuscripts, such as the Book of Kells, were often produced as display objects to create a sense of awe and wonder; however, there is a hierarchy of sight that begins when the scribe/artist takes up the stylus and brush to create the text, images, and ornament. Manuscripts -- books created by the hand -- whose primary purpose was display reached iconic and relic status by the initial act of opening the interior eyes to the divine act of Creation.
This paper explores the sense of sight, both optical and internal, in the presentation, contemplation and creation of illuminated manuscripts. Illuminated manuscripts, such as the Book of Kells, were often produced as display objects to create a sense of awe and wonder; however, there is a hierarchy of sight that begins when the scribe/artist takes up the stylus and brush to create the text, images, and ornament. Manuscripts -- books created by the hand -- whose primary purpose was display reached iconic and relic status by the initial act of opening the interior eyes to the divine act of Creation.