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- Convenors:
-
Roger Norum
(University of Oulu)
Sarah Kunz (University of Bristol)
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- Stream:
- Movement
- Sessions:
- Thursday 17 September, -
Time zone: Europe/London
Short Abstract:
This panel explores how mobility produces particular modes of group sociality, particularly through new (and social) media. The panel also sheds light on the ways in which categorisations of mobility and mobile sociality can exacerbate privilege or precarity among (im)mobile groups.
Long Abstract:
This panel explores how mobility produces distinct experiences of being in and out of place, and particular modes of group sociality, especially through new (and social) media. In so doing, the panel also sheds light on the ways in which categorisations of mobility can exacerbate privilege or precarity among (im)mobile groups. Experiences of sociality, and how it is produced and made sense of, profoundly affect mobile actors and those actors (mobile or immobile) with whom they share social space (Norum 2016). Being mobile may facilitate new modes of belonging, and enable rapidly forged social bonds and new forms of community - but may also create feelings of placelessness, isolation or dysphoria. Increasingly, these processes are enacted and performed online through e.g. Facebook, Instagram, Twitter and blogging. Fundamental to these performances is the categories into which such mobile actors are seen to fall. Indeed, in addition to migrants, expatriates, or tourists, novel categories such as "digital nomads" (Polson 2016), "voluntourists" (Mostafanezhad 2014) or "flashpackers" (Germann Molz 2015) produce and situate mobility and its socialities in distinct ways, always bound up with broader social dynamics and power relations. The panel seeks papers that shed light on novel forms of mobile sociality (Hill and Hartmann forthcoming), formed both offline and online, and that question the very categories which delimit mobile figures (Kunz 2019). In particular, we welcome papers that empirically and theoretically address digital/media practices, and that speak to how sociality is understood, experienced and represented by mobile actors.
Accepted papers:
Session 1 Thursday 17 September, 2020, -Paper short abstract:
Grounded in ethnographic work in the 'expat scene' assembled and mediated by InterNations in Nairobi, Kenya, this paper traces how the category expatriate is narrated, embodied and challenged to produce subject positions, social relations and socio-spatial arrangements in diaspora space.
Paper long abstract:
Grounded in ethnographic work in the 'expat scene' assembled and mediated by InterNations in Nairobi, Kenya, this paper traces how the category expatriate is narrated, embodied and challenged to produce subject positions, social relations and socio-spatial arrangements in diaspora space. The paper conceptualises the expat not as a specific type of migrant but as an category that denotes ways of knowing and doing migration. I.e. it traces the expatriate as a discursive and performative category that, although focused on migrants, ultimately involves and effects migrants and non-migrants alike. Studying the expatriate in this way, I encountered a variety of related readings of the expatriate. The expatriate was not only not a stable subject, but also did not carry a stable meaning, instead shifting between different if related readings. Entangled with these readings, the expatriate participated in constituting discourses, subject positions and social relations that were shaped by asymmetrical power relations and intersecting social inequalities.
Paper short abstract:
This paper explores the interweaving of corporal travel and platform labor among travel vloggers. While simultaneously engaging in corporal travel and digital togetherness with their online following, travel vloggers are actively involved in the creation of new forms of mobile sociability.
Paper long abstract:
This paper addresses the interweaving of corporal travel and platform labor among travel vloggers. Drawing on multi-sited fieldwork in tourist places frequented by travel vloggers, I seek to trace the triangular interplay between their career aspirations, mobility, and platform practices. While travel vloggers often lead a nomadic life style to accumulate visits of tourist attractions, they simultaneously engage in perpetual co-presence practices to entertain online audiences. The influencer is an emergent profession, benefitting from new monetization mechanisms on popular digital platforms (Hopkins 2019). By continuously posting content on fashion, lifestyles, food, health or travel, ever-growing numbers of platform users wish to establish themselves as influential microcelebrities (Marwick 2015). In the increasingly digitized global tourism industry, travel vloggers aspire to become travel influencers by strategically creating profiles and self-presentations. This investigation takes into account the double mobility inherent in travel vlogging. On the one hand, human bodies circulate around the globe, chasing picture-perfect travel destinations. On the other hand, travel vlogs can be studied as digital artefacts circulating through the platform figurations of present-day tourism. Striving to secure successful freelancer careers, many travel vloggers provide their followers with numerous opportunities for audience participation. For instance, followers can engage in playful online Q&A sessions, photo contests, and raffles on Instagram and YouTube. Such platform practices engender a sense of digital togetherness between travel influencers and their following. While simultaneously engaging in corporal travel and digital togetherness, travel vloggers play a substantial role in establishing new forms of mobile sociability.
Paper short abstract:
This paper moves from analysing travellers' practices of swiping and tapping on screens, flipping through travel guides and unfolding maps, towards how these material/virtual interfaces re-constitute the travel experience, and how travellers thereby enact multiple notions of being in touch en route.
Paper long abstract:
In this paper, I take the popular travel booklet Point It - Traveller's language kit, Picture dictionary (Graf, 2013) as a starting point for exploring questions of touch, connection, distance and sociality in mobility research. This little booklet makes it possible for travellers to communicate with others by pointing at images and thereby it opens up a space for non-verbal, visual, and bodily forms of interaction between 'locals' and 'tourists'. The gestures performed in this opened up space of communication between travellers and the people they encounter along the way find their echoes in the 'show-and-tell conversations' that I have had as part of the travel media ethnography conducted for the Next Generation Paper research project by The University of Surrey and The Open University. In this paper, I move from analysing travellers' practices of swiping and tapping on screens, flipping through travel guides, and unfolding maps, towards how these material/virtual interfaces re-constitute the travel experience, and how it brings into focus how the 'actuality of touch extends into the metaphor of being in touch' (Leslie, 2016, p. 195). Following on, I argue that research participants deployed different strategies in their use of technology in order to 'disconnect' during their holidays. By oscillating between 'switching off' and 'tuning in' travelers enacted different notions of touch, and negotiated their availability (Wajcman, 2016) in different ways. By looking closer at touch, this paper attempts to contribute to debates on travel, technology, and sociality.