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- Convenors:
-
Makoto Takahashi
(VU Amsterdam)
Yelena Gluzman (University of Alberta)
Sjamme van de Voort (Vrije Universiteit Amsterdam)
Christianne Blijleven (Athena Institute)
Shachi Mokashi (Vrije Universiteit Amsterdam)
Laura Paschedag (Athena Institute, Vrije Universteit Amsterdam (VU))
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- Format:
- Making & Doing
- Location:
- Theater 9, NU building
- Start time:
- 17 July, 2024 at
Time zone: Europe/Amsterdam
- Session slots:
- 1
Short Abstract:
The Making and Doing program includes a number of films, which will be screened in four parallel theaters on Wednesday afternoon. This is the program for one of those theaters.
Long Abstract:
The films and their times are as follows:
12:00-13:00 - BUILDING SPACES – A sensory ethnography
13:00-14:00 - Woodshedding and idea: uncovering the hidden in Iran and North Korea
The STS Making and Doing Program aims to give visibility to scholarship that relates to our fields of study and action in generative ways, without adhering to the dominant image of impact. It highlights scholarly practices for producing and expressing STS knowledge and expertise that extend beyond the academic paper or book. Projects in STS making & doing provide equal attention to practices of knowledge expression and knowledge travel as integral to experimental practices of knowledge production. By increasing the extent to which participants learn from one another about practices they have developed and enacted, the initiative seeks to foster flows of STS scholarship beyond the field and expand the modes of STS knowledge production.
Accepted contibutions:
Session 1![Image uploaded [has image]](https://nomadit.co.uk/conference/uploads/resized/easst-4s2024/paper/woodshedding-and-idea-uncovering-the-hidden-in-iran-and-north-korea_200xauto.jpg)
Short abstract:
Experimental short film (run time 19 minutes; viewable at https://www.youtube.com/watch?v=eALcW68eQ9w)
Abstract:
How have Western non-governmental experts used remote sensing to make public knowledge about the Iran and North Korea nuclear programs? From 2018-2019, I conducted ethnographic research to examine how nonproliferation experts gather around satellite images to uncover hidden nuclear objects on distant landscapes. I encountered expert practices that wove optical sensor datasets together with popular orientalist themes to inform public debates about nuclear dangers. But in the winter of 2020 – the pandemic winter – I was unable to continue in-person participant observation. So instead, I turned the lens inward. Holing up in a remote woodshed in rural Northern Michigan, I surrounded myself with all the cameras I could find – the webcams, GoPros, and old iPhones of everyday life – to create my own miniature constellation of optics. With cameras rolling, I used discarded objects from past lives to build a physical map of the epistemic community I had studied and tried to locate my own positionality in relation to the subject of my research. I then edited the resulting footage to produce video notes for the following articles:
C.C. Lawrence (2020), “Heralds of Global Transparency: Remote Sensing, Nuclear Fuel-cycle Facilities, and the Modularity of Imagination,” SSS 50(4):508-541.
C.C. Lawrence (2024), “Gathering Around a Satellite Image: Visual Media Cycles of the Nuclear Nonproliferation Complex,” SSS (accepted).
C.C. Lawrence (working paper), “Muscle Memories of Revelation: Extending the Imaginative Exercise,” submitted to 4S, Amsterdam.
![uploaded image [image]](https://nomadit.co.uk/conference/uploads/resized/easst-4s2024/paper/woodshedding-and-idea-uncovering-the-hidden-in-iran-and-north-korea_1100xauto.jpg)
![Image uploaded [has image]](https://nomadit.co.uk/conference/uploads/resized/easst-4s2024/paper/building-spaces-a-sensory-ethnography_200xauto.jpg)
Short abstract:
documentary film/ visual ethnography
Abstract:
What does research feel like? How does the place where knowledge is created shape the knowledge itself? And what knowledges remain neglected because we cannot transform them into written words? Academia has become a precarious work environment in which it is difficult to gain foothold and pursue a consistent career: fixed-term contracts, competitive pressures, financial constraints, mobility demands. Yet researchers manage to create spaces within this system where research becomes possible. In this ethnography from the field of Science and Technology Studies it gets clear: Research is first and foremost a sensual affair – a practice, a feeling, a place.BUILDING SPACES is a documentary film that follows four international social scientists in different positions through their lives in academia. It explores their already ‘post-digital’ workspaces, where every process is shaped by the digital – how we research, read, and write today is inextricably linked to the digital technologies we use to do so. Cinematically, it is about the mediation of a sensory experience: research, whether artistic or academic, is always a search, an emotional balancing act, a manual labour, a material work. The film puts into practice what it shows. Not all knowledges can be found in books, some must be learned through experience and discovered through filming.
![uploaded image [image]](https://nomadit.co.uk/conference/uploads/resized/easst-4s2024/paper/building-spaces-a-sensory-ethnography_1100xauto.jpg)