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In this paper, I will question in a self-reflexive intersectional approach (gender, age, biographical path, origin) how my ethnographic fieldwork in an African country could not find continuity after the PhD. Nostalgia for the idealised fieldwork appeared at the turn of the fifties.
However, the main research themes have been instilled into the research programmes during my career. Nostalgia for the idealised far away fieldwork reappears at the biographical turning point of the fifties. Nostalgia can give a breath of fresh air to research that is less subject to social structure. The paper will then examine the extent to which nostalgia can be a driving force behind the research. It is not a question of regretting a past that cannot be redone, but of imagining research objects and fields of investigation that are reinvented in the light of previous ones.