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- Convenors:
-
Rosa Barotsi
(University of Modena and Reggio Emilia)
Hanna Bilobrova (National Aerospace University Kharkiv Aviation Institute)
Chowra Makaremi (CNRS)
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- Formats:
- Film
- Mode:
- Online
- Start time:
- 18 July, 2024 at
Time zone: Europe/Madrid
- Session slots:
- 0
Short Abstract:
Anthropologist and acclaimed director Mantas Kvedaravičius was a member of our association. The Award provides an occasion for our community to affirm our values and recognize Mantas's intellectual, political and artistic legacy of courage and love.
Long Abstract:
The Mantas Kvedaravičius prize distinguishes a medium or long feature documentary that is remarkable by its cinematographic anthropological and engaged dimensions, and as such, in the wake of Mantas Kvedaravičius's path in research, creation and action. Mantas Kvedaravičius's approach was that of a documentary tradition with strong narrative construction and storytelling, close to the visual codes and grammar of feature films (he is also the director of feature films Prologos and Partenonas that premiered in venice in 2019).
Mantas Kvedaravičius's cinema was ethnographic in the sense that it resulted from long-term engagement on the field, and explored ethnographic questions such as memory, lived experiences of violence, temporality, the everyday of conflicts, etc. His work on dangerous and sensitive fields was in touch with burning political and social issues, and recognized as an important contribution to the advancement of human rights. However, his visual research was clearly distinct from 'investigative' approaches: it was attached to a poetry of images (minute attention to light, long shots, slowness, sensitive dimension focusing on the texture of things and beings through a work of image and sound). In this sense, Kvedaravičius's cinema was not about denouncing but capturing the everyday and profound experience of conflicts on our social bodies, through the visible and the invisible.
Accepted film:
Film short abstract:
Living conditions in Majdanpek, Eastern Serbia, are so bad that even the dragons are leaving. With a long tradition as both miners and dragon hunters, the Marković family struggle to keep the magic alive as their town gets swallowed up by the demands of industry.
Film long abstract:
In Majdanpek, Eastern Serbia, a culture historically renowned for magical practices and supernatural creatures is being systematically eradicated by an ever-expanding copper mine. Both a giver and taker of life, the mine is central to the local economy but a major threat to traditional practices, as it spews out toxic dust over the plants used for medicinal potions. Increasing pollution and deforestation are even driving the dragons in the forest away.
Flotacija explores these conflicts between nature/tradition and industry modernity through the family of Dragan Marković, a miner by day but a dragon hunter by night. Dragan has always planned to take over the family tradition from his 90-year old father, a local legend. However, with the dragons disappearing, that’s getting hard to do. The fate of Dragan’s feisty sister Desa is also tied to the mine as the widow of the union leader. When the industry is bought out by a Chinese company, she is determined to continue his legacy by ensuring the rights of fellow mine-worker families.
Film website: | https://www.wildpeararts.com/ |
Country(ies) of filming: | Serbia |
Film trailer: | https://vimeo.com/200787017 |