EAJS2023: 17th International Conference of the European Association of Japanese Studies

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section: Performing Arts

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PerArt_02

1

War and memory in noh theater, past and present

PerArt_03

1

Reconsidering the context of Tsukiji Little Theater in the interwar and postwar periods

PerArt_04

1

Misreading noh, noh misreading

PerArt_05

1

'Evacuation Japan’ and reimagining culture, mobility, and heterotopia in East Asia

PerArt_06

1

War and music in japan: celebrating war and/or praying for peace?

PerArt_07

1

Borders of struggle – fighting on the Kabuki stage from the early modern to the Meiji era

PerArt_08

1

Overcoming conflict through transformation: the cases of Nagauta in Kabuki, the Kanze School Taiko Performers in Nōgaku, and Kadozuke (congratulatory-at-the-gate) Performances

PerArt_09

1

Adaptation in the circulation of setsuwa and performative genres

PerArt_10

1

Gender wars in discursive spaces: coping with crises in Japanese popular music, 1945-2022

PerArt_11

1

Actor prints and photography as visual witnesses of the transformation of kabuki in the modern era

PerArt_12

2

1

J-theatre “with Covid”: temporary and structural performance adaptations in present crisis mode

PerArt_13

1

War and peace: disrupting performances or war heroics? Performing outrageous politics

PerArt_14

1

Unsettling conflict: women, goddesses, and drag queens

PerArt_15

1

In-crisis transformations: national, local, and online (laughter) survival strategies

PerArt_16

1

Forever wars: re-performing to remember or forget?

PerArt_17

1

Performing the political: subversion or propaganda?

PerArt_18

1

Technologies of conflict and militarisation: live, screens, immersion

PerArt_19

1

Disruptions and decoding: performative remains of past/present

PerArt_20

1

Performative dream cultures: travelling terrains of consciousness

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