The selected panel does not exist.
Only papers that have been accepted by panel convenors will be shown here.
"Guldgubbar" as entangled material practices
Art before Plato: the carved stone balls of Northeast Scotland
Beyond Repair: Iron Age 'Kintsugi' from East Yorkshire
Cosmopolitcs of a wooden plate. Spondylus spp. in the Peruvian Northern coast during the Late Intermediate Period.
Creating Experience. How playing with clay can help you loose your mind
Enacting the world: Process and reality in ancient Egyptian images of nature
Making Fluid Objects
Neolithic stamps in the Balkans: material and processual account of the Neolithic image making
Rock art as process: Iberian Late Bronze Age 'warrior' stelae as a case study
Starting from a dot. Imagery making traditions in Iberian prehistoric art.
The Phenomenology of Byzantine Song
Art at the heart of Anthropology: on the expression of anthropological insights
Object Knowledge: India and the Indies in the Renaissance Collection
Albert Eckhout's Tapestry "The Fishermen" (c. 1692 - c. 1723): Between Art, Ethnography and Diplomacy
Images to take home: From self-educated art practice to artistic sponsorship and commissioned work
The collection of ethnographic drawings from San Petersburg Kunstkamera
"Taken from Life": The Menominee Drawings of Antoine Marie Gachet
Ethnographical study of 19th century Kathmandu through Artworks
Illustration and Appropriation: The 'History' of the Bamum, c. 1930
Pipestone Materiality and Meaning in the work of George Catlin
Keeping up with 'Apatto': Lieutenant John Caldwell and the Transatlantic Journey of his Collection
“You have to be a draughtsman to be an ethnographer!” The legacy of Giuseppe Šebesta and the Trentino Folklife Museum.
The View from the Beach and the View from the Bluff: Alternate Approaches to an Indian Battle Scene
Memories and Traditional Knowledge in the Art Work of Indian School Children
Graphically Speaking: the Pedagogy of Northwest Coast Native Prints
Boselaphus tragocamelus: India's Unholy Cow
'I don't normally like dogs but I like your dog!' Canines imagined, re-imagined and experienced.
Representations of Fallow Deer
Akeley's Gorillas: dark apes in 'Brightest Africa'.
Speculative Taxidermy: Vulnerability and Materiality
Staging Life: Natural History Tableaux and Diorama -"the mise en scene" of the real, or the invention of an illusion?
Contradictions at zoo: Gaps between materiality and representations in the Paris zoological garden.
Mute polysemy: animals in exhibition narratives
Dharma and animal welfare
Naturalism, Animism and Disney Movies: A comparative approach on natural ontologies and representation of animals
When is Animal Cruelty Free Speech? Art, Violence, and Institutional Responses to Critique
Maybe a "natura morta marina", maybe "some scallop caught alive". Hunters, Poets or Sciamans: Italian Artists' Vision on Animals from '20s to '80s
Artistic evidence of the occurrence of at least two taxa of horse in Bronze Age Egypt
Birds in the Prehistoric Visual Culture of the Southern Levant
The Peculiarity of the Image - Describing and Depicting Animals in Medieval Physiologus
Contouring with a sweeping brush: drawing as a catalyst for social engagement and urban renewal
Empirical Approaches in Gaudi's Architecture: Diagraming the Architectural Experience
From Vernacular to Contemporary in Architecture: The impact of documentation on architectural and urban design in the province of Dhofar today
LIVING MUSEUM: Intangible Heritage, Bioclimatic Architecture and Brazilian Indigenous Social Justice
Raffles Hotel Singapore: National identity, tourism and 'the large'
The Anthropology of Spatial Histories: Landscape Gardens, Political Philosophy, and Spatial Meaning
The Architect's Drawing as an Instrument of Taste-making
Composita, the 'Mascot' of the Smith College Class of 1886: Remembering College Sisterhood and Social-Caste Expectations, Gender Norms
Moral and Experiential Narratives: Revisiting American Civil War photographs through a methodological process of bodily trauma
Personal Archives as Creative Catalyst: Photography, Collaboration, and Masquerade in Bobo-Dioulasso, Burkina Faso
Social fringes and visual memories: picturing dispossession in a Sydney's inner suburb
'Seek knowledge even as far as China': The founding of the Oriental Museum, Durham University
Acheter un petit chinois: The Jesuit Museum of Chinese Art in Québec
Asia and Pacific Museum in Warsaw - the new beginning and challenges
Challenging the framing of 'Asia' and the role of the VVAK (Dutch Asian Art Society). The Asian Pavilion at the Rijksmuseum in Amsterdam
Collecting karamono kodō 唐物古銅in Meiji Japan: the image of China through the archaistic Chinese bronzes of the Chiossone Museum, Genoa, Italy
Constructing New Identities? The Korean Garden in Berlin - "Re"-presentation of a Korean Garden in the West
Defining Asia’s cultural matrix?
Facing the future: development and transformations of the Oriental art Museum in Venice
Imagining the "Orient" in early 20th century Canada- The Asian Arts Collections of the Montreal Museum of Fine Arts
Museo Nacional de Arte Oriental in Buenos Aires: a derivation of European taste for anything Oriental or genuine interest in the East?
On the Gold Mountain: History, Collection and Exhibitions at the Asian Art Museum of San Francisco
Orient Museum Collections. Polysemy reduction and metonymic overuse
Rethinking Asian Museums in Italy
Saving Asia: The Past and Present of Asian Art Objects in Western Museums
Taiyuan Asian Puppet Theatre Museum: a platform for the conservation, exchange, performance and promotion of living Asian puppet theatre traditions
The Collections of the 'L'Orientale' University. A window on Asia and Africa for Naples
The Museum of Asian Art in Berlin: From Prussian Heritage to World Museum
The Museums of the Far East and the Asian collections of the Royal Museums of Art and History, Brussels
From Demon to God: Forging a new iconography for Mahishasur
Aesthetics and Cultural Sensibilities: Revamping the Spatio-visual elements in Pre-partition buildings in Pakistan
Scary Mask/Local Protector: the curious history of Ida Ratu Gede Gombrang
Envisioning the Enemy: Mastering the Boundaries of Life and Death in Southwest China
The aesthetics of belonging in Buryat ritual and dance
Musical aesthetics, spirituality and the morality of performance in Mongolia
jw.org and the Publisher Aesthetic: The global Watch Tower Society and social 'republication'
Surgical Reversion to "Fitra": Understanding Islam through Cosmetic Surgeries in Iran
Aesthetics, Authority and 'Scales' of Belonging in Lived Mexican Catholicism
'Wearing a cross doesn't make you a Christian': theologies of 'religious' jewellery among English evangelicals
Untying the Turban. Religious embodiment and gendered politics of identity among Sikh Diaspora youth
Fun and 'deep play': Playing with demons on Lombok, Indonesia
How to hear: aesthetics of worship and the value of subjective experience among English evangelicals
Aesthetics and the making of religious collectivities: A discussion
Doing Ethnography at Public Art Museums - Rethinking the Concept of Participation
Representing Indigenous America in the Teaching Museum: Expanding Engagement at the Mount Holyoke College Art Museum
Shifting Ontologies in Museum Collections: Amazonian Featherwork as Religious Artifact, Art Object, and Cultural Heritage Site
Transdisciplinary translations in the art museum - The exhibition "The Blind Spot" at the Kunsthalle Bremen, Germany
Unexplored Agencies - On the ritual life of objects
Plates: Gender, Person and Modernity in the Lower Sepik
Swirls of Gender and Modernity in Iatmul Art, Sepik River, Papua New Guinea
Transformations in Abelam Art: Agency and Personhood in a Globalized World
The Gender of God's Gifts - dividual personhood, spirits and the statue of Mother Mary in a Sepik society (Papua New Guinea)
The Agencies and Aesthetics of the Divine Dividual: Transcending the Limitations of Strathern and Gell.
Woven textiles and gendered identities within a cosmopolitan Micronesia (1820s-1920s)
Art and Personhood in American Fire Spinning
Distributed Sovereignty: Artifacts and matrices in the making of nationhood
The Savage Media: A Korean Traditional Pop's Club as a Musical Trap
'No more secrets' - Young people's involvement in the Ngukurr community newspaper
A Dialogic Discourse in Museums - Multiple Voices and Meaning Making
'Telling it like it is': Aboriginal young people, cultural connections and digital storytelling
The Photograph as Archive: Crafting Contemporary Koorie Culture
Addressing Digital Affordance: Mapping Cross Cultural Value in 3D Scanned Belongings.
Annotation as practice, products of annotation and coding schemes
Digital Affordances - Remediation, Rearticulation, Recirculation
Digital Ghost Effects
Digital Interpretation and Meaning: Reflections from Cultural Policy
Digitising contemporary and traditional dance practices for education, analysis and creativity.
From Mapping Knowledge to Digitizing Impact
Gurrutu 3.0 : objects, relations and the digital turn in north-east Arnhem Land (Australia)
Making something together
New approaches to the protection of knowledge holders
Texts and Memories: The Digital Journey of the Bodongpa Tradition of Tibetan Buddhism
Unpacking the aesthetics and politics of 3D digitalisation through curatorial design interventions at the British Museum.
A (dis/re)enchanted history, A dyeing craft and The women dyers: Historical Context of the Yoruba Women Dyers' Engagement within the Political Economy of Nigeria
Art, materiality and sociality: Incorporation, extirpation and contestation
Fashionistas and Sartorial Fakery: Sewing shops and the enchantment of self in Calabar, Nigeria
Optimism and Hope in Epa-Type masquerade.
The Arts of Oil: The Cultural History of Port Harcourt
6B 6H: where drawing meets archaeology
blubilds, a formless diagram for alteration
Drawing by Models; beyond the physical
Drawing to Remember: Aesthetic Engagement and Drawing as a Way of Weaving Oneself into the Texture of the World
Etching drawing: tactile engagement and temporal evidence
Ethnographic comics - sketches, notes and art from the fieldwork at villages in Poland. Reading together.
Ethnographic representation and the relationship between text and drawings in Graphic Ethnography
Hand delivered: Drawing within the 'margin of error'.
Material presence - drawing as thought as text
Performing Drawology: Passing the Pencil
Sixty frames per second: Using the 'distancing' quality of hand drawing to interrogate the logic of virtual worlds.
The (an)exact, robotic urban plan
The architecture of drawing: tools of interpretation
The continuing importance of collecting research through direct observational drawing on location in museums.
The Life of a River Map
Touching and Tracing: The Peculiar Sensibility of Drawing in the Textiles Archive
Using Children's Drawings in Research
Workshop. DoBeDo, Drawing to Converse. Participants will put aside verbal languages and communicate solely through drawing, to explore the universality, power and limits of collaborative drawing.
Zaha Hadid's Notebooks: The role of the sketch in architecture's representation.
Revolution in Room 3: Toussaint Louverture, Haiti and the British Museum
"… a bastion of colonialism." Visitors' attitudes to empire and colonialism at the British Museum
Collecting Another India: Challenging representation, patronage and otherness in the postcolonial museum
Views of Java: what's in a collection?
Between global and local: "Objects of Encounter", the new exhibition gallery of The Museum of Cultures (Mudec) of Milan
The currency of communism: representations of value in socialist material culture at the British Museum
"Across the World and Across the Street"
Deported and Exiled Peacock Angels - Yezidi holy objects between concealment and orientalism
Making Things, Not Words: the Siege Artifacts in the Memory and the Museum
Ethnographic Observations at Hybrid Communal Genocide Monuments in Cambodia: Globalizing a Semiotics of Absence or Presence?
Lifting the Veil of Silence of Partition : The Pluralistic Roles of the Partition Museum in Punjab
From confiscated artefacts to museum objects
Awkward Objects of Genocide: Holocaust Witness and "Heritage Communities" in Polish Vernacular Arts
Listening - The Fabric of Our Land: Salish Weaving
Putting Masako to rest: the story of a Hadza doll's death and the end of futurity
Curating silence. Letting the past speak from behind glass
'Model of a summer festival': engagements with a narrative object in the Sakha Republic (Yakutia), Russian Federation
Reassembling The Social Organization: Museum Collections, Indigenous Knowledge, and the Recuperation of the Franz Boas/George Hunt Archive.
Art, Luxury, and Crime: On the Mystique of the Authentic
Art and Copyright Law: A History of of Originals and Copies
Un/Worthy Presence and Authentication in Czech Art
Hunting for Authenticity: Anthropology, Art, and Ethnographic Museums in British Columbia
Cultural Appropriation and Authenticity
Thinking slowly in a digitized era: The photobook as an arena of photographic authenticity
Authenticity, art and acceptability: Some problems of visualising Caribbean slavery
Constructing Authenticity: Viennese Artists between the Global Art Market and the State?
The portrait of Miguel de Cervantes: Authenticity and censorship in Spanish institutions
The Transcultural Nature of Huang Yong Ping’s Oeuvre
Partition, nationhood and metamorphoses of the 'authentic': The art of ancient Bengal in the contemporary global art-market
Archival Excavations: Colonialism and Indigenous Presence at the Royal Ontario Museum
Curiosity and Conversion: Congolese Experiences in Baptist Missionary Archives
Interrogating Invisibility: Insights from Creating a Nuxalk Digital Archive of Museum Belongings
Seeing Past the Settler Gaze: An Introduction to Objects and Objectivity in the Post-Colonial Archive
Unsettling Histories: Uncovering an early Coast Salish collection at the Perth Museum and Art Gallery, Scotland
Attempts at collaboration between ethnography and performance (or: how to fail better?)
Neoliberal Absurdism in Art and Anthropology: An Interrogation of the Role of Efficacy in Adjudicating Failed Conceptual Categories and Political Temporalities
Dissatisfaction: Why All Drawings are Failures
Failure and Redemption in the public eye: a critical look at the language of undesired televisual political performance
Action speaks louder.... Towards a creative ethnography combining perspectives from "action research" and contemporary art projects.
Apposition, Art, and Anthropology, or, Is it possible to write a poem about climate change without using the word shit?
Commoning Anthropologically and Ethnographic Conceptualism: Intervention, Experimentation, Uncertainty
Curation as curare: thoughts on curing materials
Making Scenes: The return of Interaction in anthropology and art
Performing Public Poetry: Enchantment for the Future in Russia
Public Expectations: Mexican feminist art from the streets to the museum
Reenactment and Realist Representation as Ethnographic Approaches
Short-circuit me! Reflections on viewing and sensing in the context of VR/AR/MR installations
The Dinner of Desires: artists, anthropologists and homeless people at Expo Milan 2015
Tierra Y Libertad: Autonomous Flag Aesthetics and Pens/Hacer Politics
Waiting for the Monument: imminence and performativity in Eduardo Chillida's Monument to Tolerance (Tindaya, Fuerteventura)
When the sensitive performs reality Public art projects in Mexico rooted in the social fabric.
e-Textiles and Recovery in Participatory Wellbeing Design
Craft, recovery and embodied cognition
Craft Practice: Making A Life.
Prescriptive and improvisational movement in wellbeing.
Reciprocal learning: collaborative filmmaking and existential uncertainty
Autobiographical photos as safe spaces: subverting HIV stigma using reflective visual methods
Drawing on Strengths? Reflections on the development of an Assets-based tool for people diagnosed with dementia.
"I can't describe what I'm going through": role and boundaries of research, arts, therapy
Making one's self at home with the unknown. Recovery as a learning process
Double Agent: Inside-out and Outside-in - Reflecting On Experience As A Research Method.
Personal Storytelling for Wellbeing. Creative Digital Media to Explore Form, Content and Process
Making Sense of Museums and Things through Comparison
Can we rethink museology through indigenous perspectives?
The Church as Patron: Debates on Indigeneity, Museology, and Notions of the Good in Northeast India.
Museums and Indigenous people in Australia and in Japan
Borders: Museums in the Age of Global Mobility
Why Do We Need to Collect Everyday Life Heritage? : Case Studies of Local Collections in Japan
Iberian and Latin American Exhibitions: Political Critique and Poesis
"Let's do an art show?!" Anthropological insight from an artist-led ethnography
Case study of a collaboration - Atlas: MATRIX
Dynamogram of Puerto Casado - On visualising knowledge in an interdisciplinary research project on the history of an abandoned factory in Paraguay
Hopes and offerings in Chinese folk art
Interdisciplinary apprehension of technologies and architectures of dispossession and oppression.
Notebooks and sketchbooks: on fieldwork, recordkeeping and knowing
Painting Knowledge, Writing Art
Painting People as Part of Anthropology: Experimenting Practice in Public Settings
Remains, waste & metonymy: critical interventions into art/scholarship in Nairobi
Sensory Citizens: Senses, Sociality, and Citizenship in a Learning Disability Arts Workshop
Shock, wonder, and the moral of shared spaces in an art and anthropology encounter
Fashioning wax cloth: Vlisco designs and the aesthetic negotiation of African globality
What's with the Fashion Capitals in Africa?
Catwalk and Representation: Identity and ritual space in Eastern Cape, South Africa
Barkcloth Reinvented: fashioning notions of tradition, authenticity and identity
Films that Think and Feel: An Essay on 'Sense', the 'Senses', and Experimental Approaches to Ethnographic Filmmaking
Visualizing sound healing - representing multisensorial experiences through filmmaking
On "the eye that listens" (Claudel)
Visions of deafness: art, expression and filmmaking with D/deaf filmmakers
Creating new formats, creating transcultural experiences?
Entangled Spaces: Re-Imagining the Design of Public Spaces
Women-Only Spaces in the 21st Century in Western Societies. The Kenwood Ladies Pond, Hampstead Heath, London: A Visual Case Study.
Anthropology, portrait and ritual embodiment of Christian figures
'The Artist is Absent': Agency and Automation in Contemporary Chinese Art
Noise: the re-materialization of the digital in Phumzile Khanyile's photographic series Plastic Crown (2015-2016)
Re-materializing Digital Collections: An Exhibition of American Colony Photographs and Historical Revisionism in Beersheba, 2011-2013
Re-surfacing the nude: Materiality of the body in modern Chinese art and visual culture, 1919-1949.
Reconstructing Cultural Heritage in Conflict Zones: Should Palmyra be Rebuilt?
Species extinction: art, materiality and the representation of material loss in the age of the Anthropocene
The implications of re-materialising taonga pūoro (traditional Māori musical instruments)
The Surrounding Planet Re-Materialized
Temporary Guardianship, Mobile Custodianship: Preservation, Transmission, and Archival Knowledge in A Media Market in Lahore
Picturing the Disappeared: Of Resistance and Remembrance in Post-War Sri Lanka
The Intimate Contract of Photography: Haleema Hashim's practice and its archival afterlives
Experiments in living: the value of indeterminacy in trans art
Whereupon the Road to Erewhon
Meeting, reading and writing: an anthropological approach to some practices of imagining new normals
Between duty and rebellion: unearthing the 'culture of shaming' in Polish villages as art (auto) manifest
Staging Silence: Arab Women's Cancer in Wasafuli al-Sabr
The Man Who Almost Killed Himself: Three Modes of Co-Creation
'I move my hand and then I see it': Ways of knowing with young artists in Japan
Making Manifestations Accessible: The Case of Theatre Audio Description for Sight-impaired Audiences
The materiality of Virtual Reality (VR): ethnographic insights into 3D digital drawing among young people in Northern England
Participatory artists as expert creative ritualists, harnessing liminal capacities in the creative process to catalyse transformation
Performing Print: literary ethnographies of literary events
Visualizing the Quran
Reimagining the Aztecs: the transformation of a dance form that never changes.
Dissonant imagination: cartooning as the art of the absurd in Iran
High ideals & harsh conditions: making sense of ordinary tragedy in Tirana, Albania
"Of the Land, From the Land": Mutable Baining Materiality in Response to Dispossession
Marshallese weaving patterns: Encoding class, clan and change through design
The Avaiki Way: Mutable Materials and Articulations of being Rennellese in the Solomon Islands
"It remains alive": Wood, Paper, and Lakaz Kreol
Rebuilding the Umana Yana: Houses and indigeneity at a Guyanese National Monument
Slate, cement and other materials of indigeneity in Taiwan
The Taste of Plastic: The decline of Ceramic Vessels in Shuar and Wampis communities in the Upper Amazon (Ecuador and Peru)
Introduction to the panel
Fugitives: Anarchival Materiality in Archives
Body Archives, Archive Corpus
Haptic interventions as visual anthropology: Looking for a "Now-time"// Appropriating archival images and sounds
Collisions of Memory, Voice, Sound, and Physicality though a Multi-sensorial Radio Remix Installation
Transforming Records: Poetic Becomings in the Archive
The Origin Tapes: An Autoethnographic Study of Media and Memory
When Silence Speaks - Visual Art & Anthropology: Bodies, Memories, Archives & Performances.
At Dalits' Feet: Archival Resources of Counteraction
The dancing body as living archive
Bone Work: The Leib as Archive
Anarchiving the personal: intimate provocations in Zanele Muholi's Somnyana Ngonyama series
The Body in the Archive: Embodiment, Storytelling & Human Remains
Minor Intervals - The Noncitizen Archive and Jurisgenerative Poetics
For lack of Institutional Memory: Archiving as Artistic Practice in Singapore
The body in the archive: Iraqi archives in exile
Desert roses, museums and other stories: art and history narratives in and about Qatar
Displaying King Abdul Aziz Legacy in Riyadh, Saudi Arabia: One Founder, Five Museums
Museums in the Gulf: National Identity or Cultural Diplomacy? The Different Narrative of Dar al-Athar al-Islamiyyah in Kuwait.
The political use of Museums in Contemporary Maghreb.
Towards a Transnational Museum? Negotiating the Political Economy of Cultural Production in Palestine
Art, artefacts and art production at the Museum at the Lowest Place on Earth (Safi, Jordan): decision making, contexts, realities and prospects
The Role and Public Perception of Museums in Syria
The Israel Museum as a place of belonging
National Museum of Beirut: Narrative, Identity, Money
Art in Lebanon- post the civil war
A Museum in the Making: Visions, Issues, Politics
The Story of Beirut's Sursock Museum's Collection Display
The colour palette as meta-category
Metacolour: Sepia and the Politics of Nostalgia
Mineral Materiality: The impact of decorating pigments on ceramic practitioners' perceptions and praxis
Battle of Colours: The Politics of Mourning Thai King Bhumibol
Color as Action. Anthony Forge, the Anthropology of Art and Abelam's Paints.
Living and performing colour
The colourful matter of chant. The materiality of colour in pre-Hispanic and colonial Mesoamerican manuscripts
Writing Accidental Colours : the Materialization of my Colours on the Paper Pages of a Poetry Book
The impact of chemical colour in contemporary weaving in Bhutan.
What Color Is Property? Designs on the "Blackest Black"
Painting with Saturn. Tracking the White Lead in New Spain Painting
Restoring Rothko's Red: Pinpointing Color at the Harvard Art Museums
Museum Affordances: Collections, Interventions, Exhibitions (Introduction)
Tracing Fieldwork Experiences: The Material Legacy and Future Affordances of the M. A. Czaplicka and H. U. Hall Siberian Collections
Viewing Landscape and Livelihoods: Some Ecological Affordances of Material Culture
Lasting Legacies? Reflecting on a Century of North African Art at the Newark Museum
Remembering the String Figures of Yirrkala: Action, Intervention, Exhibition
Embodying Heritage: Temporary Assemblages, Ephemeral Artworks and Transient Communities
Making Pain Visible: Artist Kader Attia's Exploration of Colonial Pain in Ethnographic Collections
The Ethnographic Exhibition as Playful Productiveness: Engaging Arts, Crafts and 'Folk' in East Asian Object Collections
Working with Contingencies in the Museum Storeroom: An Experimental Exhibition Project in an Ethnographical Collection
The Gods are (sort of) Returning: Experimenting Exhibition-Making
Turning the Table: Exploring Affordances in German Expressionism
Dialogues: An Ethno-Aesthetic Experiment in Exhibition-Making
Indigenous dissonance: letting artifacts speak
The Dignity of Heritage.
Bordered Lives: People and things in the making of the Immigration Detention Archive
The Role of the Encyclopedic Museum: Re-evaluating the Ancient Near Eastern Galleries at the Metropolitan Museum of Art
Curating the Future Looking into the Past: A Museum in Twenty-First Century Argentina
Archiving Photography in Lebanon : the case of the SOLIDERE and Beirut Central District
Relevance and Recognition: Public Art in Qatar
Globalization and Precarization of the Art Milieu in Iran: Emergence of New Peripheries
Solidifying national identity through visual and material culture in post-blockade Qatar
Shaping the Emirati artistic landscape: Role and legacy of Emirati Art pioneers
What is the "Appropriate" Emirati Face Mask? Contemporary Discussions on the Cultural Representation of Emirati Women
Salvator Saudi? MBS, Cultural Materiality, and Materialism
Collaborating to Revive the Anishinaabe Strap Dress
Pierre Maranda and the white-canoe of Lau
Return from Exodus - Tracking Native American Arts, Crafts, and Artifacts
The Weave Within: Malaitan arts, music and culture in the twenty-first century.
Remembering the Colonial Past in Contemporary Hong Kong: An Examination of Government and Vernacular Museums
Migrant worker museums in China: public cultures of migrant subjectivities in state and grassroots initiatives
Chinese Culture Paves One Belt One Road
Filling in the Gaps of Planning a Traditional Ethnic Minority Chinese Village
Making "Weness": How to exhibit a unified multi-ethnic country in a National Museum of Ethnology
Producing/Consuming 'Romantic Scotland' at Nanjing Museum: the Role of State Museums
The Fifteen-year War in the PRC's Museums (1949-1982)
Representing the Prehistoric Past in Comprehensive Public Museums in Greater China
Postcolonial Museographies: Narrative(s) of Power and Ideology Display in Macau Museum
Embodied Knowledge and its Representation
Mediation Theory and Photography in Early Twentieth-Century China
Pour une anthropologie générale: la situation de l'ars
The anthropological clinic between myth and reality
The technical production of morality and the moral production of Art
Theory of Mediation : a new approach to the anthropology of Chinese art
Between colonialism and post-colonialism in the exhibition "Remains of an Empire"
Conflict and Imagination: Transecting Past and Present Through Material Culture and the Jacobite Movement
Imag(in)ing Futurity. Photographic Projections of Alternative Futures
Legacy of silence: identifying future ghosts in a troubled past.
Images from the past - Images of the future. Photography of Guerrilla Movements in Central America
The use of "surviving images" in the psychoanalysis of madness and trauma.
Filling the hollows: on images and ethnographic tasks in the wake of Peru's internal war
The Problem of Prehistoric Art in Europe: creating and mobilising models of causality
Later prehistoric rock art in Europe: places and processes
Creating bodies: Technologies of transformation in later prehistoric Eurasia
Sound and cosmological efficacy in rock art landscapes
Portable Art and ornaments of the Moravian gravettian - a complex local style?
Conceptualizing the Art of Prehistoric Europe as a Whole
Socio-Creativity and the Neolithic
Dangerous Art: Shields in the British Iron Age
Neolithic art in Italy: the representation of human figure on vase
Aesthetic Experience, Art and Material Engagement
Formerly "art": Powerful objects, social technologies, and material culture in European prehistory
From Prehistoric Rock Art to Latin Inscriptions on stones: the continuity of a local cult of fertility in the middle of the Alps. Why the Goddess Isis landed in Valcamonica?
Transformations of visual material in Central Mediterranean prehistory
Revealing European connections through art in Neolithic flint mines
Prehistoric art as a transfer station: Technology and temporality of prehistoric art
Curating a Museum of Others: contemporary art and curatorial resistance in the Pitt Rivers Museum's Australian art displays
Appropriate agency: indigenous artists in the anthropological archive
Unceded Territories: Art, Agitation and Upset on the Northwest Coast
Contemporary Asian Art in Anthropology Museums
Knowing Animals Through Singing
Musical notation and non-human voices in Sámi joik
Singing Our Place. Shall we sing your place ? Can we recreate our common world by singing our places ? A Nordic project about singing as a way to reconnect with our places.
Periplum Petroleum : Noising the Plastic Touch
Enabling Voices of Love: Acoustic, Social and Affective Attunement in Somaliland
Tellings: Reconstructing the Repertoire of Songs used in English Lace Schools
Where does this voice come from? Acoustics, senses of place and self-knowledge through singing.
Singing as dwelling: exploring the articulation of dwelling through singing
Singing interviews. Melody and emotion in the voice as signs of soundness
Arguing with a hoarse voice - Brechtian singing
Singing anthropology: The voices of the pages at work with the processual epistemology of laboratory theatre
What is a Song? Embodied Research and the Audiovisual Body
A singing orna/mentor's performance or ir/rational practice
Singing as Life Practice: catharsis, transformation and empowerment through singing.
Singing: an expansion of perceptions
"Some guy's signing a song- it's all over the news; we can't even get interpreters for a job interview": lessons learned through signed-songs and other musical 'access' in austerity Britain
Multi-ethnic choirs: group singing as a vehicle for knowledge and integration
Song or Singing
The act of singing or the act of poetic reterritorialisation
Kant's Noumenon in North-East Siberia: Area spirits and pop songs
Untouchable songs: The epistemology of sacred singing in rural Bengal
Voices of Joy and Regret: Sonically Presencing the 'Family of the Prophet' in Northeastern Turkey
Knowing Embodied Islam by Offering the Call to Prayer
Objects and the Materiality of Memory
SITUATED DRAWING - Pedagogical Tools for Civic Practice
NIUN: Designing a Saudi future
"Can't You See?" Collective Memory, Places, and Treasure Hunts in Contemporary Turkey
Ruins Before Victims: The primacy of the object in reconstructing the city
Can the trace speak? Counter-forensics and the material legacies of Bloody Sunday (1972)
A Trace That was Never Meant to be: Performance, Ephemerality and the Representation of Political Violence in a Museum Collection
Nowhere by here. Deconstructing the traces of conflict and war with artist Baptist Coelho's works.
Ruination and Restoration: pilgrimage sites as traces of conflictual temporalities
Troubling contingencies: Ethnographic challenges of politics and photographic traces
Remaking Familial Identity through Contested Archival Traces in Post-Franco Spain
Material and imagined traces of the dead : landscape and human remains in Guatemala's exhumations
Haunting absences: femicide and the spectrality of death in Highland Mexico
Artistic activism in Buenos Aires, Argentina: on political art and social impact
Choreographing identity politics in Palestine
Critical Art and State-Censorship
Critique of the critique: training artists in oppositionality in Ramallah
Experiments in Living: Art and Speculation in the Settler Colony
Politics of (im)mobility and possible futures: a Geographic perspective on cultural production at the Palestinian Museum in Birzeit
Reconsidering the Radical: Palestinian cultural production and the politics of legitimation before and after Oslo
'I felt I could step through the photograph' - Photography, Exhibition Design and Atmosphere
Escaping Walls: Exhibiting Migrant Everydayness in Anti-Immigrant Arizona
Exhibiting echoes, shreds and shadows
Exhibiting Nodes of transnational Mobility and Migration: Mobile Research, developing relational tools and assemblages of art works
Getting (Un)Comfortable with(out) Things
Museum-making in Filipino Migration
Processing Common Ground: Exhibitions and the Greenlandic Mining Complex
I ka ʻōlelo no ke ola: Hawaiian textual materiality, embodied speech and object narratives
Kapa, Cloth, and Self-Fashioning, 1800-1860
Recovering lost significances: early collections and contemporary practices
The Power of Representation through Words and Images: King Kalākaua, Japanese Immigrants, and Spreckelsville
(P048) The Future of Anthropological Representation: Contemporary Art and/in the Ethnographic Museum
"You, My Dark Brothers, Noone Calls Your Names": On the Sounds of the Past and the Politics of Artistic-anthropological Entanglements
Appropriation or Possibility? Museum Ethnography at the Institute of Contemporary Arts in Postwar London.
Cinema as a space to contest object-centered approaches in ethnographic museums
Collaboration between Culinary arts and Ethnography in India
Contemporary art and the (Post-) Colonial museum: revealing the politics behind ethnography
Creative Co-production - A Step Beyond Artistic Interventions
Ethnographic Expression. Art and Anthropology as Figuration in the U.S. between the 1920s and the 1940s
Exhibiting the non-European through Art
Humboldt Lab Tanzania - Curating Research for Creative Practice through "ethnographic" objects
Just a matter of time... The ("ethnographic") object as ticking time bomb and the artist as artificer
Modernity and tradition in the representations of Brazil at Magiciens de La Terre
Old stories, new voices: anthropology museums and contemporary Pacific art
Strangers in the Night
The Scattered Colonial Body in the Heart of Rome: Serendipity, Process and Contested
(P049) Beauty and the Beast: photography, the body and sexual discourse in the Middle East and Central Eurasia
A look at barefoot and its transformation in the history of photography in Iran
Between the Abstraction of Miniatures and the Literalism of Photography: Amateur Erotica in Early Twentieth-Century Turkey
Critique by Association. Chaza Charaffedine's "Divine Comedy" and contemporary representations of gender in the Middle East
Geometry of Pain
Photographing Same-Sex Desire: Race, Gender and the History of Sexuality
Re-ordering things in Marie al-Khazen's photographs
Seeing Through Europe: Constructing an Erotic Gaze in Modern Iranian Photography
The Shameless Taboo
Visible Bodies for Invisible Eyes: Erotic Qajar Photographs as Hidden Objects of Sexual Desire
(P050) Re-thinking Source Communities: Plural, Urban Indigenous Communities and Cosmopolitan Objects
Canadian indigenous hip hop practices and productions
Nuxalktimutaylayc - Transforming Museum Engagement into a Nuxalk Way of Being
Identities and meanings of the Powhatan Mantle: 400 years and counting
Meshkwajisewin: Paradigm shift
Possibilities for Urbanizing and Indigenizing Collections
We Are All One: Residential School Art Collections and Survivor Communities
Visiting Old Ladies: Object Persons, Pedagogy, and Memory
"Cultural Work," Urban Indigenous Territorialities and Digital Technologies in Buenos Aires city.
Arts and Community Formation in Buenos Aires: The Changing Andean Presence
PANARIFE (bread maker): History and Theater, thinking the city from the Mapuche perspective.
Re-constructing a sense of home: basket making among Wounaan artisans
Urban Mestizajes of the Oppressed: Emergent Youth Political Cultures in an Indigenous Guatemalan City
Weaving an indigenous city: colonial continuities in the Mapuche and Chilean territory
Asia-Pacific Legacies in Eastern Kula Ring Outrigger Canoes
Breaking A Copper in Public: A Technique for Distributing Surplus Value
On A Strangely Painted Piro Cotton Robe: The Edges of an Art Style in Peruvian Amazonia
Producing indigenous memory via affect: Objects and places as links between lived and imagined temporalities in Bogota-Colombia.
A meditation on time: learning to see in Amazonia
A painter’s approach of defining meaning and relevance of Native American Facepaints
Primeval skins: the smooth and the engraved surface
Amerindian shamanic iconographies (Lowland South America): a comparative study
From gourd-people to arrow-people: Wixarika ancestors in the making
Materiality and exhibition of the book as a ritual artefact in the Northwest Amazon
Changing pots, changing bodies: an analysis of technical change among the Runa of Pastaza.
Stepping into Abyss. Image, Text, Temporality and Personhood at Yaxchilán Hieroglyphic Staircase 2.
(P053) Ethnographies of Art, Materiality and Representation: Between Art History and Anthropology, A SOAS Tradition
Round Table Discussant - Keyword: 'Bricolage'
Round Table Discussant - Keyword: 'Education'
Round Table Discussant - Keyword: 'Evidence'
Round Table Discussant - Keyword: 'Exchange'
Round Table Discussant - Keyword: 'Mind-in-Matter'
Round Table Discussant - Keyword: 'Perspective'
Round Table Discussant - Keyword: 'Politics'
Round Table Discussant - Keyword: 'Register'
Conserving minutes, wishes, advice, and The Gift: employing ethnographic methods for the conservation of relational art
Created to be destroyed: Street art and the seductive potential of ephemeral
Immersive environments; How artistic process unfolds from the mind of an artist in the studio, to the arena and back again.
Points of Sublation: Mutual Inscriptions in Performance Curation
"Spaghetti, and a special fork for my little brother": children's drawings as idioms of childhood
Drawing as environmental revelation: sketching plans and sections in modernist landscape architectural design
Financial Markets on Paper: Drawings of Trading Screens by Informants as an Ethnographic Research Method
Rules of Representation: Style, Message, and Context
Drawing and attentive perception
Drawing in between
Industrial design, body imaging, and the ultrasonic life room
Reading Soane's Lecture Drawings Back to Front
Towards A Life in Images - The 'Walk About' Sketches of Maurice DaCosta
Inscribing yourself in the state: ID cards in West Cameroon
Identity and Tactics: The Everyday "Civil Contract" of Photography in Contemporary China
Protesting (family) portraits, portraying the protest: the political identity of the archivist/activist-photographer and their photo production the Lesbian Herstory Archives in New York City.
Visual Anthropology of Child Labor in Progressive Era New Jersey
Absence in the Desert: The Quiet Ethics of Gauri Gill
Visual Representation and Reportage of 19th Century South Asian Earthquakes from Colonial Archives
Struggles in the visual field: reconstructing political relations in Spanish colonization of Equatorial Guinea
Political Identity - "1848"
"[...] a very dangerous ,area" - Photography and politics: reflections on representation, belonging and meaning of a threshold practice.
Pinélides Fusco, first Peronism photographer
Hemispheric Photographic Collaborations: Susan Meiselas, Chile from within (1990) and Chile desde adentro (2015)
Modeling Midas' Golden Touch: The Creative Process of Anthropological Exhibition Design
In/forming quality: modelling in the business of architecture
The Aesthetics of Economic Modelling
Testing 'Model-ness' through art practice; exploring the critical potential of enthusiast models.
Models - Making Metaphors
Mapping Flows and Nodes of Mobility. Doing Research with 3d On-site Models
"Awakening the Stones" : Taro Becoming Ship and the Niel Exchange in Tanna, Vanuatu
Cassava Spirit and the Seed of History: Multispecies aesthetics and the cosmology of gardens in Amazonian Guyana
Social Ecologies of Plant Cultivation in Amazonian Peru
Above and Below: Abulës ("Abelam") Gardens as Generative Surfaces
"We grow, like tubers, our feet planted in the thick mud of the iridescent water taro garden": social implications of garden's growth and aesthetics in Melanesia.
Gardens as Instances of Growth, Time and Value: cases from North Vanuatu
Wandering Through the Humanist Ideals of Filarete's Labyrinth Garden
From the modernist landscaping to the woods inside the white cube: stories of the Brazilian arts around plants and vegetables
Between the natural and the cultural: an ethnographic study of relaying a theatrical role's social transitions through body performance.
Some One Else's Selfie: Ethnographic Theatre Opportunities Using Every Social Media Technology
Performance as Ethnography: Debating Muslimness in Manchester
Participatory performance as ethnography
For the love of Elu: Steven Cohen performs endocannibalism
Making Meaning in an Autistic Theatre Company
Shadows of Culture in Traditional Greek Shadow Puppetry
Museums of Struggle/Struggling Museums: Performance, Education and National Narratives in Cyprus
"The community is a family and the choir is the glue": music and belonging in Gaiman
(P060) What makes an artist? Examining the social and pedagogical influence in being and becoming artists
Auditing creativity? The UK Art School in the age of neoliberalism
Becoming and Being Dalang
From 'Ghost Painter' to 'the People's Artist': Qi Baishi's (1864-1957) Craft, Art and Social Network
Life after art school
Who deserves the title 'artist'? The needs of 'the artistic other' and the rewards of artists in Scotland
Writers without readers and markets: ethnography from a literary workshop in Havana, Cuba
(P061) Amazonian Contemporary Art, and its Impacts in Fixing Imaginaries in Transmutational Cultures
Three ways of seeing the inaudible and listening to the invisible: Shamanism and graphics in the Peruvian Amazon.
The Shipibo-Konibo Kene: An operator to formalize and link the discontinuity between the presence and absence of agents ant its capacity to lodge their idea of alterity
Ye'kuana Basketry from the Venezuelan Amazon: Transferences and Adaptations of Uses and Myths in the Present
RITUAL, BODY AND IMAGE IN THE CONTEMPORARY ARTISTIC PRACTICE AMAZONAN QUIJOS How do artists represent mutable and non-visual beings?
Reflet de la réalité dans les tableaux d'Amati Trumai (Haut-Xingu, Brésil)
Abstract and figurative images in the Yanomami culture of the Brazilian Amazon
Images and plants in Amazonian visual arts
The Impact of Symbolism and the Work of Indigenous Artists in Cantagallo and in their Place of Origin: The case of Roldan Pinedo and Elena Valera
Abel Rodríguez and the preservation of Nonuya knowledge: reflections on the production of indigenous tales in contemporary Colombian art
Three [Peruvian Huitoto] Artists: On/and Beyond Mythology, Shamanism and Politics
(P062) Design Anthropology: Uniting experience and imagination in the midst of social and material transformation
Anthropology by means of design in a Brazilian Indigenous Museum. Account of an ongoing experimentation.
Anthropology uncertain and in-the-making
Arresting Design: the work of the studio of material life
Artefacts of inclusion: the participatory lab of Costruire Bellezza
Correspondence between traditional handicrafts and the use of plastic by indigenous people in Brazil
Design Anthropology, Emerging Technologies and Alternative Computational Futures
Designing cultures of care for vulnerable children: Experience and imagination in Bihar, India
Exploring cancer patient experiences through art: what can visual methodologies offer user-centred health services (re)design?
Fashion Design in the age of Posthuman Ecologies
Free-form: making double curvature architecturally possible
Interventions, design, and the many modalities of future-oriented anthropology
Speculative diagrams: plotting to reclaim algorithmic prediction
The Power of Invitation: Invoking New Ways of Being as a Participatory Designer
Unmaking and ruination in design anthropology
We began as part of the part of the body - a sound artwork as creative correspondance
(P063) Heritage, beyond materiality: intangible cultural heritage, collaborative methodologies and imaginations of the future
A Clothing Dilemma in Inner Mongolia: Discourses and Practices Regarding the Inscription of an Ethnic Costume on the Chinese Intangible Cultural Heritage"
Art Interventions in the Service of (In)Tangible Heritage - The Case of Kufr Birʽim Community
Collaboration and preservation of intangible heritage: The case of Haining Shadow Play, China
Intangible Heritage and International Development Networks: Actors, Agency and Representation around Intangible Heritage for Development.
Opening the space for critical commentary in facilitation of UNESCO workshops on implementing the 2003 Convention
The Lost City: How do we learn from spaces and places that no longer exist? an exploration of London's genius loci and sites of emotional heritage
The Process of Preservation and Re-construction of Musical Heritage in Contemporary Cambodia
The role of the UNESCO declaration in developing an ethno-nationalism in the Andes
Redefining Curatorship as skilled practice
Curatorial affects and the contingency of fieldwork
Stuff and Heirlooms, genealogies and legacies of colonial objects
Glazed expressions: an anthropological reflection on curation via glass screens in museum spaces
Co-Curating Relations and Materialities of Indigenous Sovereignty
The anthropologist as curator: ethnography, visuality and musealization of cultures
What does the Curator Cure? Territory as Victim of Armed Conflict at Colombia's National Museum of Memory
When the Gift Redefines the Curator's Roles. The Case of the Montreal Holocaust Museum
Actionism as Anthropology: Katrin Nenasheva and the New Politics of Performance Art in Russia
Aestheticizing Kazakhstani Futures: The Place of Children in Space-Age Landscapes
Bringing Owls to Athens: The Mobilisation and Contestation of a Universal Left in Artistic Practice
Burning like a state : art, agency and new political fictions in contemporary Russia
Imagining Institutions Otherwise: Art, Politics, and State Failure
Shrek Meets the President: Architecture, Aesthetics, and the Magic of the State in Post-Soviet Kazakhstan
Stating an Art: Indian state and the politics of identity and representation in 'Adivasi' Art
System and Error. The working effects of failure in Tbilisi, Georgia
The Limits of Late Socialist Realism: Art, Power and National Museum in Central Asia
Ukraine's new Lenins: Art and a decommunising state
When tourism aesthetic rules - Tourism promotion as a mode of stagecraft and as an aesthetic force in Mubarak's Egypt
State of the art: the anthropology of art and the anthropology of the state
Zaryadyology: Infrastructure, Superstructure and Performance in 'Putin's Paradise'
Setting the table: heads of state and their props
The Culture State: German theatre, Bildung, and Political Self-cultivation
Community Art and the State in the Cracked Art World: The Politics of Public Arts Funding in Contemporary Northern Ireland
The art of suing the state: Arctic oil and Norway's Trial of the Century
Normative Aesthetics and the Staging of State Power During the Sultan's Public Birthday Celebrations in Brunei Darussalam
Collaboration and Visibility: An Anthropological Analysis of Community-Based Art Practice in Turkey
Visualising a minority language community? Visual art and Community Festivals in the rural Connemara Gaeltacht (2003 - 2013)
Artistic practices in communities: forging new vocabulary to think about the world
Communal Identities and Societal Interactions: Artistic Practices in Local Communities of Medieval China
Developing Collaborative Artistic Practices with local communities: insights from Portuguese case studies
Art and Baldwin Spencer - resolving the contradictions
From folk art to fine art - exhibiting painting of India
Seeking new theories of epistemology and the Berndt museum: Caring for Culture in the 21st Century
When craft performs heritage: Contested practice in post-earthquake heritage reconstruction in Nepal
The love of flowers: boats, time and the navigation of catastrophe in the Aegean
"Heritagisation" of craft in Cape Verde
Making ceramics and heritage in a Brazilian quilombo: reflections from Itamatatiua, MA.
Whose culture? New forms of apprenticeship in Sardinian craft-design projects
Craft skills transmission and the construction of heritage discourses
The future of Shetland knitting: from 'maternal osmosis' to 'the responsibility of the community'
INDUSTRY AS A NEW PLACE FOR CRAFT: Contributions of an ethnography of the shoe industry in Portugal
Persistence of memory. The role of contemporary artistic practice to the safeguarding and transmission of traditional arts and crafts
JULIA: An Iban Master Weaver's Journey To Fulfilment
The future of maki-e in Japanese lacquer art
"Thick description": an interdisciplinary outlook in contemporary art history
Allegations Regarding Dominant Biennials: A Cutting-Edge Perspective from the Biennale of Dakar
Formless, Bataille and the re-materialisation of the social
German Expressionism, Anthropology, and Colonialism
Latin American Art: Between Contemporary Art and Anthropology
Whose curiosity is it? Reflections on an anthropology of aesthetics in the 21st century
THE LIFE THEY ARE LIVING From the making of craft to the making a life worth living
The teacher-student relationship in capoeira Angola: The Transmission of Knowledge in a Globalized World
Ancient Feminine Knowledge, Practice and Artful Resistance in an Indigenous Community of the Huasteca Potosina of Eastern Mexico
Duodji and the Sámi. Learning, making, and making mistakes
Searching for the light: mentors, teachers, and an apprenticeship in glassmaking
"It's not wrong, it's just…": Talking about Mistakes in Apprenticeship
Apprentice-ships: A dialogue on boats, practices and senses
Apprenticeship among Mande Hunters' Musicians
'Sitting in the loom' - Apprenticeship, social enskilment and the co-production of empathy in a Ghanaian workshop
Memory-work and Empathy: Apprenticeship as archive, excavation and responsibility
The Enlightened Eye: Situating Material Interpretation Through Creative and Collaborative Transformations.
The Artist as Chiffonnier Archival Impulse and Material Narratives on Everyday Life in Georges Adéagbo
The Skin of Walls and Animals; Film Notes on Work, Labour and Materiality in Kerameikos and Elaionas, Athens
Voiced into being: materiality of sound and shamanic voice in cursing rituals in post-Soviet Kyzyl, Tuva
Drawing into Being - Trapping for art and anthropology after Nature
Dances with Despots: Tourism performances and the taming of the large.
Plastic and Roses: A New Way of Representing of Minority Culture in Rural China?
Attract or Dazzle: Displaying 'the Large' at the Imperial War Museum
Riddle Me This: Size, Scale and Photography at the Great Sphinx of Giza
In Awe! Tourism and the (Re)Making of Imperial Grandeur
How to Share the Wild with the World: Tourists' photographic performances at Banff National Park.
Utilising Large Sites and Historic Buildings for Tourism Promotion: (Re)Presenting Narratives of Nation Through the Arts
The Douro Landscape, between practices and representations
Contemporary Anthropology and Anthropological Art
Dialogues between Amazon and the Arctic: curating art and knowledge on the anthropocene
More than an indigenous artist: Fritz Scholder's modernist-indigenous being/non-being
Museums & Construction of Race: Investigating the Colonial Crime Scene
Artists and autonomy in Indian contemporary art
Auctions and Autonomy in the Iranian art market
Curatorship, authentication and authorization in China
Silences and outbursts: mechanisms of a South African art world
Sincerely Cynical: Post-Authentic Palestinian Art, Post-Oslo
The Weibde Bubble: Spatial Constructions of Autonomy in an Artistic Neighborhood of Amman, Jordan
A shift of attention?
Accessing experience through images of people's bodies: an encounter between ethnography and film
Art and ethnography as practices of analytical action
Nailing experienced images: drawing as ethnographic work
Recontextualizing Photographic Objects: Bridging Artistic and Anthropological Research
Remembering, Forgetting, Discovering: Dialectics of Memory and Photography in Conversation
Woolwich: A Photographic Walk through a Heritage Quarter
Memory, Perception and Montage: Uncovering Hidden Realities within the Everyday Urban Realm
Disappearing into Night
Image-Traps: Connecting Cosmovisions with Images
Animism, climate change and extinction
Animism and shamanism in the Mbya Guarani cinema
Between Images and Spirits: Encounters in the Liberation War in Guinea-Bissau
"Ritual experiences in contemporary cinema"
Can Film become an Organic Medium? Animism and Animation in Botanical Time Lapse
Animation and Animism: Everything is Otherthing
(P079) For an anthropology of the art world: Exploring institutions, actors and art works between circulation and territorialisation processes
Behind the Display: the role of Rockefeller foundation on the first's exhibitions of Contemporary African Art at the Venice Art Biennale.
Branding the nation through art: The case of the Jaya He GVK New Museum in Mumbai's Chhatrapati Shivaji International Airport
Contemporary Art Biennials as Ethnographic Sites: Value, Activism and Politics in Large Scale Exhibitions
Critiquing the Institution through an Anthropological Lens: a view from South Africa
Curatorial Practice and the Pursuit of Reciprocity in Indonesia
Magic vitrines, the artist Karl Marx, and Gods on the market: Unstable exhibitions, encompassing assemblages, and renewable anthropologies
Re-imagine the urban village for the anthropology of art: A study of the Seventh Bi-City Biennale of Urbanism\ Architecture (Shenzhen)
Rituality and the art world: some impressions from the Venice Biennale
The Role of Critique in the Critique of Roles in the Indian Contemporary Art World
Translations, diasporic travels, and art world receptions in From Where to Where? by Annabel Daou
When a Film 'Travels': World Cinema and Its Local Audience
Introduction to cognitive bias in relation to facial depiction from human remains
Typological archives: incarcerated flesh, untold histories and modern dilemmas
"The rotten skeleton of Routine": On the use of forensic photographic archives in Argentina's first debates on cremation
Exploring cognitive bias when texturing a facial depiction of King Robert the Bruce
Facing up to facelessness: constructing virtual humans in archaeological visualisations
One of Us? Navigating 'rehumanisation' questions in the depiction and display of ancient Egyptians from the Johns Hopkins Archaeological Museum
'Performing' Sacred Music in Contemporary Anglican Church
Gift or Anointing? Performance versus Ministration: Experiencing the Sacred Presence through Music in Yorùbá Pentecostalism
Sacred Art and Agency - Auroville's Mandala
(P082) Matters of the Spirit: Mapping Brazilian, Cuban, and Haitian Ritual Aesthetics in the Afro-Atlantic
Gods or Cyborgs? The multinatural aesthetic of the 'assentamentos' in Afro-Brazilian Candomblé
Ruth Landes, Candomblé priestesses, and the multiple meanings of Afro-Bahiana cloth dolls
Protecting Patrimony through Sacred Scholarship: Documenting Haitian Ritual Arts
Catching and Containing Movement: The Ritual and Somatic Interstices of Afro-Cuban Beadwork and Cloth Arts
(P083) Performing Culture: Art and Performance for Coming to Know and Expressing Knowledge in the Social Sciences
Do Service Workers Hear Pop Music Sing their Working Lives? Towards a Cultural Studies of Organisations
Orien-Thai-ism: Thailand Through the Eyes of Western Artists
Orientalist Opera in the 21st Century
Performing Out of Limbo: Reflections on Doing Anthropology through Music with Oromo Refugees in Indonesia
Planeta Pel: Creating tradition
Practising Authenticity: Singing and/as Listening
The Harrowing Euphony of Jhumur songs: Depiction of lives in Jangal Mahal area of Bengal
The making of hip hop in late socialism
Performing Everyday Infinities at the India-Pakistan Border
A Long Portrait: Aesthetics and politics in everyday photography in Manipur, India
Purified pageantry: performing arts in Javanese provincial politics
Political Spectacle and Stagings of Indigeneity in Bolivia
Swallowing Buddha: the recursive relation between container and contained in a Zen Buddhist monastery
Containers of Salvation: English Medieval Church Porches Redefined
The box-assemblage as a sentient artefact
Containers Empowered: Healing and spirit vessels of north-eastern Nigeria
Painted bridesmaid's chests: the most popular containers in folk culture. Artifacts in contemporary everyday life
Containing the Other: Vietnamese traders in 'unruly' Odessa
Thinking outside the box: archaeology, creative practice and the materialities of collecting
Radioactive waste containment: aesthetics of material and social spillover into public space
Life (Un)Contained: Housing and the Domestication of Life in Timor-Leste
The heart of stone: engineering endurance against the fatal living processes in Western Amazon
Analyzing Fijian mats as containers of female essences and as female bodies
The heart and the work of the heart: The 'discovery' of an-other inside
The peaked black hair tent of Jalālī tribe in the West Azerbaijan province of Iran
Designing as weaving: potted landscapes of the 'Costa Blanca'
Rebuilding as therapy
A Material Intervention: MANIFEST
Design in Crisis: Toolkits for pedagogical 'intraventions' in architectural training
Playing with wood: an anthropological study of dens
From Paper to the Ground: Architecture and Dwelling in 'the' New Town of fascism.
On the Porousness of Architectural Borders— Plastic Boats and Marine Lifeforms
A Magic Map: in the Studio of Rita Alaoui
Between limestone and chalk, quarry and barrow
Mediating through technologies. The re-presentation of contemporary art, architecture, domesticities and materialities
Object - Wasshoi, Wasshoi: Soundscapes of Sanja Matsuri
Object - Cheating the Game: Wayfinding in the Museum
Many Hands, Many Voices: making a new suit of Kiribati armour
On making a cord
Plaiting baskets and plaiting literacy in Vanuatu
ing aTurning in circles: Twisting, coiling and spinning in Iron Age Britain
Talking while making: the material culture field research experience
Mudcloth and the making of social and artistic fabric
An Embroidered Being: Story Cloths, Ontologies, Entanglement, and Craft in a Hmong American Community
Alma Siedhoff-Buscher's Kinderzimmer Cabinet: The Present, The Pocket and Object Permanence
Story of Zari: The Golden Thread and Dynamic Life of a Tamil Sari
Archaeology and Archives: The Destruction of Cultural Heritage in Iraq
The Affective Violence of Cultural Heritage Destruction in Iraq and Syria
Destruction of Material and Immaterial Cultural Heritage Since Timbuktu
Bells as often recklessly destroyed members of small communities and subjects of local stories or tales.
Kwoma understandings of creativity in art and some implications for museums
Was the expression of exceptional artistic talent possible in traditional Oceanic art
Dialectic of Simultaneous Presences: Further Considerations of A'a and other Images from Cenntral Polynesia
Raptors in Precolumbian North America: an Ontology of Art
Birds of Prey, Falconry and Bird Brooches in Iron Age Scandinavia
Golden Raptors and Rock Art - the role of avian iconography in Kazakhstan during the early 1st millennium BCE
Falconers for the Dead: Tang Tomb Figurines
Sepur Zarco, Guatemala: 'bodying forth' and the forensic aesthetics of witnessing in the courtroom and beyond
Witness/Host, Documenter/Guest - Hospitality as Synecdoche and its Political Inversions: On Certain Human Rights Encounters in Israel/Palestine
The Politics of Presence: Piety and Factory Work in Cambodia
"Being There": Rethinking truth with midiativistas in Rio de Janeiro
Committee as Witness: The governing work of ethical decisionmaking
Finding Foundlings: Drawings and Field Notes from Workshops at the Foundling Museum
Materialities made testimony. Objects as a way to organize the past in the narratives of the National History Museum of Chile.
Reconciliation and the Pedagogy of Witnessing in Canadian Museums and Arts-based Research
Witnessing through Art: The Environmentalist Engagement of Tolak Reklamasi
The anthropologists' video camera as a stage: Displaced communities' attempt of counter-imaging in Sudan
Witnessing and the Revelation of Responsibility in Urban Suriname
Through the Sensationalist Gaze: The Dissonance of the Human Image in Humanitarian Social Media
Bringing publics into existence: plans, contestation and urban governance in Beirut
Creativity, infrastructure and critique in Dakar
Feeling it out: art projects in Indonesia's era of tidal flooding
Fog harvesting as trapping: the art and infrastructure of fog capture in Peru
Infrastructural Bricolage: politics and the absence of arts infrastructure
Infrastructural crisis in Accra's contemporary art
Infrastructure of inspiration: success and style in the production and distribution of mobile applications in Accra, Ghana.
Ironic Infrastructures: Roadsides and the Aesthetics of Laughter
Large Dams as Affectively Charged Entities: The Art of Making the Nation
Performing Infrastructure: A dialogue between Anthropology, Art and Activism
Picturing the State. Political Representation, Infrastructure, and Visual Culture in Kuwait
Selfies of the State: The Aesthetics of Infrastructural Repair in Kampala
The Art of Postindustrial Infrastructure: Jerusalem's Railway Park
The Intimate Poetics of Large Dams and Settler Common Sense
Following the matter of Neltume's sawdust
Amaru Cholango on How to Poeticize Technology
De-electrification. Light devices for an energy crisis.
The "Camanchaca" Fog and the "Catancura" Stone: Dialogues between prophetic materialities, folded temporalities, ontological tensions and political potentialities of the surfaces.
Re-Shaping Wealth: Matter as Dissident De-colonial Agency In the Work of Chilean Visual Artist Alejandra Prieto
The contemporary archeology of recyclables: One's trash is another's art
Matters of Matter: domestic drawings and the turning of leaves
Becoming a seismograph body
Forget the post-colonial state! we have arrived!
Slow Praxis, Film-making and Academe : lessons and legacies from "Cottonopolis".
Praxis through the hand, mind, heart and eye.
Yuta anthropology: a remix experiment
Mounted by Orisa : Praxis and Representation of 'Outsider Artists' Personal Landscapes in Political Reality
Displacement and the Oral Narrative of a Sari: Between Life and an Exhibition
Being an embodied practitioner and researcher
Refugees- Whose crisis? Moving beyond 'pity and fear' to a dialectical media practice.
Singing Songs of the Jewish Underworld of Pre-WW2 Poland: Re-telling the story of the urban poor
Emergent Responsive Methodology: A Way into Liberatory, Dignifying, and Love Filled Connections
'The Body is a Big Place': Performing Body Parts, Bodies as Metaphor, and Presenting the Un-representable
Controversy, Censorship, and Subversion in American Organ Donor Memorials Projects
Matter and Reciprocity; material transplants and art pedagogy
The Medicalised Subject: Voice, language and emotion in organ transplant patients
The representation of organ transfer and the making of knowledge: A story from Kerala, India
When words fail - an interdisciplinary investigation into the phenomenological effects of heart transplantation
The Good Crisis: How Transient Identity Saves Modern Museums
Making Meaning in Museums: The Value of a "Talk Story" Approach
World in rather than archives out: reuniting fieldwork with the anthropology museum
Making communities at the end of the world: doing what we can, with what we have.
On the virtues of universities, libraries, and museums
Margaret Mead's Museum Humanism
UNESCO as a Museum
Exploring the Economics of Fetishism: Igbo Uli Ethno-aesthetics in Craft and Econo-art
Listing cultures: politics of representation and heritagization of Indonesian traditional textiles
Reengaging Igbo Arts and Crafts in the Politics of Postcolonial Representation and Identity
Global Nomads: A Case Study of the Patchitrakars of Nayagram
Igbo Masking Elements a Creative Resource for Carnival Costume
Making Uli/Finding Uli: My Experiments in Wearable Textiles and Accessories
Envisioning a perfect path: uli art and the dialectics of contemporaneity in the works of two Nigerian artists, Krydz Ikwuemesi and Gerald Chukwuma
'Lean' into power: globalization, new media and changing female 'beauty regimes' in Bhutan
Art as a Theoretical Source for Social Theory: Paul Klee and the Notion of Crowd and Protest
Beauty and its Dilemmas
Beauty as a Strange Tool: Fascination with Beauty and a the Knowledge in Arts
Dilemmas of Beauty in equatorial Africa: Representations of Power, Sexuality, and Bodily Aesthetics
Foucault, Femininity & Female Body Image: An ethnographic study of female students and body image
Reflections on the [im]possibilities of Beauty.
The Impossible Quest of the Ideal: Studying Women's Body Transformations in Contemporary India
'Alien of Sudanese origin' - a journey of belonging
Comfort foods, liminality and non-refoulement in Hong Kong
Creative Spaces, Self-Authorship and Mutual Interdependence
Displacement and home-making in Estonia after 1945
Displacement of Memory or the Memory of the Displaced: Depicting Graves and Gravestones in Contemporary Art
Film and writing as homemaking in the context of displacement, exile and inbetweness
Homecomings and Identity: A case of a Japanese in the UK
Representation of Homemaking, Lived Experience and Inner Turbulence: Archival Research of Overseas Chinese Qiaopi Remittance Letters
The Games and Toys Series
Your dream home awaits you: Painting as social engagement in an Australian public housing renewal project
A market for museums or the path followed by a modern art collection. Buenos Aires 1960-1970
The Value of the Berndt's Flour BinThe rediscovery of Indigenous Australian cultural objects collected before 1948 by Ronald and Catherine Berndt in a Flour Bin will be the focus of changing values ov
Destroy to Save. Objects selection and value hierarchy in a national film archive
Appraising collections: understanding institutional values of the Sir William MacGregor collection and their impact
Museum Objects as a Currency of Cultural Exchange
The enigma of liku (Fijian fibre skirts) in museums: trade, translation and reconsideration
Collections, Science & Politics: Distributing Duplicate Anthropological Specimens at the Smithsonian Institution
Foundry or museum: the price of the past
Pots and Patterns: transacting values in British New Guinea.
Far from home: realms of value established for a Torres Strait Saibai Mawa mask
Keg No 5: Bird Collecting and the Value of Specimens from the US North Pacific Expedition (1853-56)
Curating Profusion: Collecting Alternative (Heritage) Values
Collecting the West: Different values of ethnographic collections from Australia's west
Gifting, Barter, and Auctions: Currencies in the Biography of a 19th Century Ethnographic Collection from Papua New Guinea
Dreams, Art Making, and Ethnographic Knowledge
An infrastructure of images across the everyday life, the digital and the Imaginal realm
The Iconic Gift. Vision, Creativity, and Presence in the production of material religious images.
A Quest for the Dragon's Egg in the Artworld of Mohd. Din Mohd.
Fantasy, Mystery and Logic: Salvador Dali's Dream Sequence in Hitchcock's film Spellbound
Happenings Live on the Surface of Dreams
'Mirages are common here': oneiric mediations in artistic responses to the Nigeria-Biafra war
The Trickster at Rest: Andalusian Dreams in the Maqamat al-Saraqusti
Restoring the Faith: Vernacular repainting of Catholic devotional statuary in Ireland. A photographic documentation by Tim Daly.
Egypt's Modern Miracles: Photographing God's fingerprint
Tattoos Amongst Indonesian Youngsters: Dreams, Contemplations, and Healing Experiences
Art and Karamat (Miracles) among Shia Artists in Kuwait
Masks of the Canela Indians of Brazil: A Study of the Photographic and Film Collection
Mayan offering vessels as tools for creation
The artistry of tradition. Challenging spaces and conceptual boundaries through performance art.
Tibetan Buddhist Tantric art (semiotic cognitive designs) turn to reflexive praxis: A global nexus for the unchallenged
An Ephemeral Archive of Displacement: Acholi Memories in the Diaspora
Governmental Control and Archives: The Image of the Islamic Republic of Iran in the International Red Cross Museum's Poster Archive
Interdisciplinary archival practices: An archive of creative observation.
From fishing to fashion: The aesthetics of Indigenous products in contemporary Taiwan
Indigenous Representation In a Different Light
Raising mental monuments. Notes on the mnemonic processes embedded in Ni-Vanuatu sandroing.
Returning the Past to an Imagined Present: How The Yale Peruvian Expedition of 1911 Created an Inca Heritage
Silencing the sacred calabash tree. Reflections on knowledge practices, cosmopolitics and artefacts of the "Pipil" Indians of El Salvador
The Hidden and the Unknown: Amazonian Exhibitions at the British Museum
City Museum: a comparative analysis between the contemporary museological settings of Abílio Barreto historcial Museum (Belo Horizonte, Brazil) and Amsterdam Museum (Amsterdam, Netherlands)
Colonial museum collections, heritage and representations of the self : A case study of Naga textiles in the Pitt Rivers Museum, Oxford
Decolonising the National Museums of Kenya
Enchanted encounters: reaffirming a magical heritage.
Fishes out of water
Great Expectations - A Portrait of the Wisbech & Fenland Museum (UK)
India's Northeast and the Increasing Popularity of Living Museums
Making a museum: Reimagining borders
Practice, Process, Performance (refuse, art, artefact)
Revisiting Serampore's colonial heritage in India and in Denmark
Consuming the large in tourism - the city
Meanings and myths: Semiotics of Edinburgh Castle
Small Lenses, Bigger Pictures- Representing the Large on Instagram
Tracing the Production of Chamula Dolls: A Journey of the Imagination
Artistic expressions in India: from the people to the people
Arts-based research practices and the political imagination
Drawings of stories told
The District Arts Palace: Artist-activists negotiating space, politics, and action in the age of Trump
The naked life of images
The Voids in the Archives as a Critical Practice
TrainWreck, or The Failures of Infrastructure: Reflections on a Creative People and Place project
What's in a name? The political aesthetics of naming and shaping the things we care for
A framework for the sacred: relics and heterogeneous materials for composing devotional images (Córdoba, 19th century)
How Cultural Heritage is shaped by North African Jews in Israel
Scientific aesthetics of spiritual healing and negotiating national identity in post-socialist Mongolia
Struggle for separateness: embodiment, materiality and performativity in Naxi ritual
The Sensory Eclecticism of the Ni'matnama
Treasure vases, the Tibetan Buddhist ritual objects practised by Chinese Han Tibetan Buddhists in mainland China
War, Slavery, and Aggression: Themes of Violence in Votive Practice
The Ethical Art Museum Curator: from Ethnographer to Ethnographer
Curation and Art Exhibition: Anthropological Knowledge(s) within an Ethnographic Reflection
Working with Wayang: Curating Indonesian Puppets at the Yale University Art Gallery
Muddling the Museum: Performance, intervention and being de-colonial
The infinite between: the liminology of the digital in the art museum
Critically Reframing Artifacts and Displays of New Guinea Art: A Survey of U.S. Museum Exhibitions
Thinking culture first. Challenges in creating object stories for non-western art
A Comparative Analysis of The Curatorial Presentation of Mesoamerican Art at the North Carolina Museum of Art
Perspectives and visions. About the uses of ethnographic artefacts in art museums and exhibitions discourses in Italy.
Theory on the display. New Polish Contemporary Art Museums
Curating art in the "age of the brain"
"The sound exists only in your own body". Art, disability, and the potential of sensorially-evocative media art for anthropology.
Cocreating Beauty & Grace in Making Artifacts: A Batesonian Systemic Gaze
Drawing and breathing: Navigating densities of mind, material and self
Investigating body archives in the limen between human and non-human: an anthropology of movement modes.
Stories of a blacksmith from Agadez around the making of a file which he once learned from his father long time ago in the bush of Aderbisanat
Unique Tool For Materialization of Past and Present: Colours in Russian Traditional Arts
‚Portrait as Dialogue' - a transcultural encounter
Only papers that have been accepted by panel convenors will be shown here.