(P092)
The art of infrastructure
Location
Date and Start Time [TBD] at [TBD]
Sessions [TBD]

Convenors

  • Pauline Destree (University College London) email
  • Hannah Knox (University College London) email

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Short abstract

This panel looks at the relationship between art and infrastructure, and the political possibilities opened up by their intersection.

Long abstract

The current ‘infrastructural turn’ in anthropology has cast fresh light on materiality, mediation, and mobility. Ethnographic attention to the social and cultural relationality of infrastructures – from information systems, to roads, to energy networks, (cf Star 1999) has expanded the definition of infrastructure away from the narrow confines of technical or functional concerns, to consider infrastructures as socio-material and political assemblages that enable the circulation of goods, services, knowledge, people, matter, energy and forces (cf Graham and Marvin 2001; Larkin 2013; Lockrem and Lugo 2012) and are thus firmly embedded in anthropological questions of materiality and representation.

This panel considers a call to study infrastructures as “aesthetic networks” involved in the circulation and production not just of people and things but also of images, illusions, desires, and in/visibilities (Larkin 2013). Infrastructures, as technologies of enchantment (Harvey and Knox 2012), provide a fertile ethnographic terrain for re-appraising anthropological theories of art concerned with representation, materiality, and agency. This panel explores what happens when infrastructure and art come together, exploring the artistic practices, performances, and artefacts that infrastructures make possible. What kinds of artistic formations emerge from an engagement with infrastructural networks? How does infrastructure, with its close relationship to design and architecture, inform creative practices?

In particular, this panel will explore the political possibilities opened up by a conversation between art and infrastructure. Do infrastructural publics (Collier et al. 2016) mark the emergence of new forms of political consciousness for art today? How do conceptualisations of infrastructure as a public good define a new civil contract (Azoulay 2008) for artistic practices? How do the visual, material and digital politics of infrastructure reconfigure art spaces, audiences and curatorial roles?

This panel welcomes ethnographic accounts of, and creative engagements with / through / about infrastructure, that speak to anthropological theories of materiality, agency, and the politics of representation.

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Papers

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