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Paper short abstract:

This paper explores the ways in which the Sudanese art scene expresses experiences of war and displacement. As a site of knowledge production and the (re-)building of transnational networks, these practices are an attempt to re-establish life and work under the constraints of displacement.

Paper long abstract:

After the fall of al-Bashir’s regime in 2019, the marginalised Sudanese arts community underwent a transformation, evolving into a thriving scene. New galleries and community art centres emerged in the capital, shaping public life. However, the outbreak of war in April 2023 led to a mass exodus of artists and curators to neighbouring countries. In response to these experiences of violence, loss, and displacement, the artists utilised various forms of artistic expression such as paintings, photographs, and music to document their ordeals. This artistic response served as a means to heal the wounds of war and convey the distressing experiences of individuals affected by displacement.

Sudanese artists have also engaged in discussions about the role of arts in the revolution and its aftermath, highlighting the impact of art on displaced communities and vice versa. Furthermore, contemporary art has addressed the theme of displacement, depicting the barriers and challenges faced by those affected by war and forced migration. These artistic endeavours not only serve as a means for the artists to process their experiences but also create testimonies of the war.

Despite being scattered across several countries, curators and artists have begun to establish support networks, create new art spaces, and organise exhibitions. In this paper, the focus will be on discussing artistic practices as a site of knowledge production and community building by examining emerging networks in Egypt, Kenya, and Uganda. This will involve tracing the evolution of the art scene and discussing the challenges of (re-)building life in exile.