Paper short abstract:

In the study of regional manifestations of quintessential Atlantic European rock art, it is suggested here that the exploration of the geological characteristics of decorated stones may reveal if, and to what extent prehistoric communities 'selected' surfaces in the production of rock art.

Paper long abstract:

In the study of regional manifestations of quintessential Atlantic European rock art, it is suggested here that the exploration of the geological characteristics of decorated stones may reveal if, and to what extent prehistoric communities 'selected' surfaces in the production of rock art. If we approach rock art as a culturally dynamic relic, then the concept of the 'art' itself (in regards to the motifs used and the over-all composition) will serve as a starting point to investigate both form and the inter-play with the geological surface, the 'canvas' itself. Were specific rock surfaces chosen to be formalized or redefined through virtue of decoration?

This approach is largely concerned with the raw material of this tradition, the cultural reflections or narratives contained within, and the sensitivities to local terrain observed. Essentially this research will consider whether the geological attributes of certain rocks had an active role in the creation of rock art. Setting, form, tactile qualities, the presence of natural hollows, scarring and even the presence of trace fossils may have formed qualities which were recognized and reacted to by prehistoric communities in their engagement with stone. The character of regional geology which ultimately effects the shape and complexities of a distinct region through the form of watersheds, slopes and skylines, will also be explored. A range of locations will be regarded to address the potential of this type of investigation in the analysis of sites broadly embodied within the rock art tradition in Ireland and beyond.