Contribution short abstract:

This paper examines the dynamic interplay between institutional frameworks and local actors in the heritagization of music practices in Slovenia. The focus is on how local communities independently reinterpret and reshape heritage to align with their cultural identities and priorities.

Contribution long abstract:

This paper explores the processes by which local communities adapt musical practices to reflect their cultural identities, social values and economic priorities, often prioritising tourism and marketability. Such adaptations produce fluid and evolving forms of heritage that may deviate from the rigid, standardised criteria set by institutions, but resonate deeply with contemporary community needs.

Drawing on examples from the Upper Savinja Valley in Slovenia, the research highlights how certain practices have historically been marginalised within institutional heritage discourses, despite their strong resonance with local populations. Conversely, the popularity of certain musical practices within and beyond the community often shapes local perceptions of what constitutes heritage. The popularity of these practices is leading to the abandonment of some past traditions, which are now officially recognised as heritage practices and included in Slovenia's Register of Intangible Cultural Heritage.

The paper raises questions about the relationship between local and institutional heritagization practices, including challenges in representation and the participation of local bearers. Based on case studies, the research advocates the possibilities for compromises, dialogue, and understanding between institutional and grassroots processes (and products) of heritagization.