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Film short abstract:

“The world is blue at its edges” reflects on the current political moment through an intimate letter to the narrator’s unborn child.

Film long abstract:

“What could I tell you about the world I live in? ” Addressing her unborn child, the narrator tries to find answers partly through claustrophobic pictures interwoven with intimate notes on a pregnancy in times of a pandemic. Based on a childhood memory, the experimental short film spans from the Cold War Iron Curtain, to the so-called “refugee crisis” and the renewed closing of borders during COVID-19. Textures of walls closing in, blur with pixelated maps, creating a subjective portrait of a new reality and its digital image-world. The world is blue at its edges is directed at an unknown future. It’s a film about life and everything that speaks against life. As if behind glass, fragments of perception appear. They confront the somber world of today, consisting of screens and lockdowns, with the faint heartbeat of an unborn child. In the film the mother shares her thoughts with the child. What can she show to her future offspring, which images of today can speak tomorrow? Between almost dystopic pixelated found footage of Youtube videos and familiarly unreal images of daily life in a world of surveillance with Covid a narration appears that is mainly concerned with inner and outer borders: the Wall, the Iron Curtain, police states, migration, fear. The narrator hesitates as she asks herself and her child if those borders will remain in us even after they have long disappeared.