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Accepted Paper:
Paper short abstract:
This paper explores the Chinese vernacular narratives as independent and not related to the Chinese government's propaganda stories that found on the Internet create a different "reality" in the censored media environment.
Paper long abstract:
Vernacular narratives, such as urban legends and conspiracy
theories belong to the vernacular culture, which is considered as the non-
professional, non-institutional and amateur culture. These stories can provide a
window to understanding the concerns and fears of Chinese modern society.
Currently, China is facing challenges in regards to the radical socio-economic
transformation.
Vernacular narratives can give us insight into how the Chinese society is trying to
accustom itself to new meaningful changes. Thanks to these narratives we can
attempt to understand the social construction of the community in unique ways.
It is important that vernacular narratives are independent and, as such, they are
not related to the government's propaganda. They are non-regime, unless the
government is the source of the rumor. At this point, it is possible to assume
that the "authentic"
voice of the Chinese people, can be found within these narratives.
However, the same stories found on the Internet create a different "reality" in
the censored media environment. Media censorship in China was created to
avoid potential subversion of the Chinese government’s authority. In this case,
the Internet is not a place of free speech but an area of filtered information with
the “supernatural” twist.
Therefore, the online story about Falun Gong, Chinese spiritual practice, won’t
be a story of persecuting its followers and mass murders for transplantation
purposes but it will be a story of the interference of the American government,
in the form of Falun Gong organization, into Chinese government’s interests. It
seems that the “authentic” voice of the Chinese people can be found more
quickly "on the street" than on the Chinese Internet, we just have to listen
carefully.
Digital ethnography and transformations: tracking cultural expressions in the contemporary world [W]
Session 1 Monday 15 April, 2019, -