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Accepted Paper:
Paper short abstract:
The Ryukyu kingdom (1372-1879) possessed intense court activities, receiving foreign delegations, and then developed scenic and artistic refinement. The Ukwanshin Kabudan Ryukyu performing arts group work for the sake of maintaining alive this arts, in Hawaii and in a transnational network.
Paper long abstract:
The now called Okinawa ken (province) in southern Japan, was the Ryukyu kingdom (1372-1879) also known as land of Courtesy because of its intense diplomatic and trade relations with Southeast Asian countries. In his long and prosper live possessed so intense court activities, receiving foreign delegations, and then developed an immense scenic and artistic refinement. More than mere distraction for foreign delegations at the court of Shuri Castle, artistic performances in music and dance were sacred songs from the Omoro Soshi. Ukwanshin Kabudan was a ship that carried the crown and dignitaries from Ming Emperor in China to be presented to ascending king of Ryukyu, more than this, has been a symbol of exchange and peace for the people of Okinawa. The Ukwanshin Kabudan Ryukyu performing arts troupe work for sake of maintaining alive this arts, in Hawaii as well in a transnational network. In the website of the troupe we can read: we have chosen to travel on a new 'Ukwanshin' to bring our gift of Aloha and gratitude to the people of Okinawa. Okinawa is known as the land of music and dance, and it is through the expression of sound and movements that we find few differences in human feelings and understanding. This silent connection is what offers peace and also allows the perpetuation of cultural identity. Passing down the knowledge of these treasures are important. My paper will analyses the role of this arts group building a transnational network by means Glocal connections.
Globalization, localization, glocalization and popular culture
Session 1