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Paper short abstract

Through the work of two leading contemporary Ethiopian artists, this paper aims to investigate the intricate links between rural practices and urban visual practices, encompassing socio-political themes, which provide an insight into the complex construction of social identity.

Paper long abstract

the midst of a growing interest in contemporary African art, Ethiopian artists are still relatively under-represented. However, two contemporary Ethiopian artists, Ephrem Solomon and Robel Temesgen, are gaining international acclaim. Based in Addis Ababa and with close connections beyond the city, the artists draw upon rural practices. Ephrem Solomon's solo exhibition at Tiwani Contemporary in London, titled 'Untitled Life', was an intimate portrayal of popular 'tej' (honey wine) houses. Ran by elderly, often widowed women; these informal bars provide space for honest socio-political discussion. Robel Temesgen, who also had a solo exhibition at Tiwani Contemporary presented a body of works that depict 'adbar', an Amharic term that refers to protective spirits found within the natural landscape. Through these two artists visual practices, the paper will provide insights into the intricate construction of social identity and the resilience and transformation that characterizes migration.