Paper short abstract:

How can Afrofuturism in audiovisual and literary storytelling contribute to the empowerment of African women and women of the African diaspora in particular and the Universal Woman in general? Two case studies: the novel 'Midnight Robber' by Nalo Hopkins and the feature film 'Black Panther'.

Paper long abstract:

Through two case studies this paper aims to determine how female representation expressed through Afrofuturistic literary and cinematic works can be a tool for the empowerment of women in general and women of colour in particular. Nalo Hopkins' novel 'Midnight Robber' and the feature film 'Black Panther' directed by Ryan Coogler are examined through the lenses of feminist (film) theory and decolonial theory which can be considered intersectional. One argues that the empowerment of African women and women of the African diaspora can contribute to the liberation of women across the world. After defining the concepts of Afrofuturism and women's empowerment, the case studies are submitted to questions that include: what are the elements that make this story Afrofuturistic? What are the functions of the female characters? How are these characters portrayed and are they considered key drivers of the story? How can the story be a source of female empowerment? Does the story represent a rejection or incorporation of the dominant eurocentric and patriarchal framework? The study concludes that Afrofuturism and other Afro-centric philosophies and genres within storytelling when applied with emancipating purpose and intent can make a valuable contribution towards women's empowerment and the decolonisation of humanity as a whole.