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Accepted Contribution:

Imagining machine vision: four visual registers from the Chinese AI industry  
Gabriele de Seta (University of Bergen) Anya Shchetvina (Humboldt Universitiy, Microforms Research group)

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Short abstract:

Through a qualitative multimodal analysis of the websites of leading Chinese AI companies, we identify a cohesive sociotechnical imaginary of machine vision, and explain how four distinct visual registers contribute to its articulation.

Long abstract:

Machine vision is one of the main applications of artificial intelligence. In China, the machine vision industry makes up more than a third of the national AI market, and technologies like face recognition, object tracking and automated driving play a central role in surveillance systems and social governance projects relying on the large-scale collection and processing of sensor data. Like other novel articulations of technology and society, machine vision is defined, developed and explained by different actors through the work of imagination. In this article, we draw on the concept of sociotechnical imaginaries to understand how Chinese companies represent machine vision. Through a qualitative multimodal analysis of the corporate websites of leading industry players, we identify a cohesive sociotechnical imaginary of machine vision, and explain how four distinct visual registers contribute to its articulation. These four registers, which we call computational abstraction, human–machine coordination, smooth everyday, and dashboard realism, allow Chinese tech companies to articulate their global ambitions and competitiveness through narrow and opaque representations of machine vision technologies.

Combined Format Open Panel P115
Global socio-technical imaginaries of AI
  Session 2 Tuesday 16 July, 2024, -