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Time zone: Europe/Warsaw
How Much Difference is Too Much? Political Anthropology from an Imperial Fault Line
Dace Dzenovska, University of Oxford
This talk draws on three decades of the anthropology of postsocialism and ethnographic research in emptying places in eastern Latvia to chart the reconfiguration of the political landscape after “the end of history.” Looking from the inter-imperial fault line between the European Union and Russia, I argue that twentieth-century imperial politics of inclusion—with all their constitutive exclusions—have been replaced by the equally imperial politics of separation, containment, and the moralization of difference. Across scales, at home and abroad, the rich are separated from the poor, and good is set apart from evil. Boundaries are policed and fortified. It is difficult to talk through walls or with someone one regards as evil. The differences are so stark that many fear they threaten the very foundations of polities and societies worldwide. Has the time of politics finally arrived, or is it the end of the world as we know it?
Dace Dzenovska is Associate Professor in Anthropology of Migration at the University of Oxford. She researches the changing relations between people, place, state, and capital in Eastern Europe and the former Soviet Union. She is the author of School of Europeanness: Tolerance and Other Lessons in Political Liberalism in Latvia (Cornell, 2018), and the lead author of Living Emptiness: Place, Power, and Meaning-Making from the Baltic to the Russian Far East (forthcoming with Stanford University Press, 2026). She is completing a book entitled Empires We Choose: Migration and Sovereignty in a Double Periphery for Cornell University Press. Her articles have appeared in American Ethnologist, Comparative Studies in Society and History, Social Anthropology, Cultural Anthropology, HAU: Journal of Ethnographic Theory, Slavic Review, Focaal, History and Anthropology, among others.
Anthropology in a Polarised World
We are witnessing an acceleration in the polarisation of communities, opinions and markets across the globe — and academia is no exception. As anthropologists, we have long emphasised the complexity and nuances of our interconnected, messy world. What role should our discipline and our research play today? Can we help create a world that is less divided and conflict-ridden? During the plenary session, we will explore how our discipline can approach polarisation with curiosity and care while acknowledging genuine differences and the various interests of different groups. We will also address the recurring theme of anthropologists’ engagement, the translation of ideas, facilitating encounters, and bearing witness to conflict in a polarised world. In this unstable environment, we will consider whether our methods and ways of thinking could foster healing and dialogue.
Guest speakers

Gwen Burnyeat is Lecturer (Assistant Professor) in Social Anthropology at the School of Social and Political Science, University of Edinburgh, and PI of ERC-selected Starting Grant project “Stories of Divides Politics: Polarisation and Bridgebuilding in Colombia and Britain”, guarantee-funded by UKRI, which studies the people and organisations trying to build bridges across complex political divides in both countries. She was awarded the 2023 Public Anthropologist Award for her latest book, The Face of Peace: Government Pedagogy amid Disinformation in Colombia (University of Chicago Press 2022 and Spanish translation Editorial del Rosario 2024). She is also a writer, and uses fiction and narrative to explore the human experiences of political processes. Her creative work has appeared in Critical Muslim, The Dublin Review, Otherwise Magazine, Flash Fiction Magazine, and elsewhere.

Myles Lennon is an environmental anthropologist, a former energy policy practitioner, and Dean’s Associate Professor of Environment and Society and Anthropology at Brown University. He conducts ethnographic research on solar energy deployment, forestry, and agricultural land stewardship in both urban and rural communities of colour in the United States. His research has been supported by the US National Science Foundation, the Ford Foundation, and the Wenner-Gren Foundation. His first book, Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism(Duke University Press 2025) was a finalist for the 2025 Julian Steward Prize for best environmental anthropology monograph awarded by the American Anthropological Association.

Luminiţa-Anda Mandache is a political and applied ethnographer examining how liberal ideals of autonomy and rights transform political cultures in communities marked by profound inequalities. Working in urban peripheries across Brazil, her work traces how non-governmental organizations and progressive movements become sites where new forms of collective morality, reproductive politics, and claims to (urban) rights are forged, reshaping what political engagement means in practice. Her work examined the local implications and potential of solidarity economy projects in transforming marginalized communities, youth citizenship, preference for female voluntary sterilization among low-income women and currently how poverty-reduction policies and class aspirations shape the reproductive plans of low-income women in Brazil. She is currently a visiting scholar at the University of Salzburg.

Island in the Net - Digital Culture in Post-Castro Cuba
Cuba is living through a digital revolution, and it looks nothing like Silicon Valley. In Island in the Net (Princeton University Press 2026), Steffen Köhn traces how Cubans built their own internet from the ground up, through flash drives, black markets, and grassroots networks, culminating in the social media–fueled protests of July 2021, showing how access to digital technology has fundamentally altered the dynamics between citizens and an authoritarian state.
At EASA2026, Steffen Köhn and Ruxandra Ana will discuss the book in light of Cuba's current existential crisis: prolonged blackouts, fuel shortages, and tever increasing pressure from the U.S., and ask what digital culture and community-driven connectivity mean when the lights go out. The talk will take place at ROZBRAT - Social center of alternative culture, Poznan’s longest-running squat.
Polarised world? Rolly Polly!
Stand-up comedy open mic for and by anthropologistsWant to try out your comedy skills?
Write an email to:
prateek(at)em.uni-frankfurt.de
by 10 June 2026
All welcome!
What's at Stake? Anthropology, AI, and Pluriversal Futures
There are arguably few paradigms in the history of technology that have stirred as intense a global uproar as Artificial Intelligence has unleashed in the last decade. A loose signifier of technical advances in self-learning systems designed as “deep neural networks” inspired by the human brain, AI is expanding across various fields of activities that anthropologists have long taken as sites of ethnographic and theoretical inquiry. Importantly, alongside actual instances of technology use and adoption, AI also comes with a thick cloud of speculation, especially about the imminence of “artificial general intelligence” (AGI) that is purported to overpower humans with self-guided goals. Will AI overtake humans with its uncontrollable agencies? Will this be the end of humanity as we know it?
The plenary discussion will take up this twinning of speculation and concrete application as an indelible feature of AI, raising questions about how we might make sense of the AI present. Compared to other disciplines, anthropologists are uniquely positioned to probe AI as sociocultural assemblages that expand within specific contexts of adoption and value regimes, challenging linear accounts of technological advancement and the dystopian-utopian binary.
Reflecting upon different aspects of AI that anthropologists have thematized in their work, the plenary will probe anthropology’s stake in defining the future course of AI and AI’s stake in defining the future of our discipline. Can anthropological scholarship on human-more-than-human entanglements and pluriversal ontologies offer critical pathways and ethical frames to recast AI? Within our disciplinary practice, how do we calibrate our methodological perspectives as AI expands as epistemic devices and how do we redefine our pedagogical techniques as students become some of the most voracious adopters of AI applications?
Speakers
Sahana Udupa (Ludwig-Maximilians-Universität München, Institut für Ethnologie)
Sophia Goodfriend (Harry Frank Guggenheim Research Fellow, University of Cambrige)
Mark Allen Peterson (Anthropology, Miami University)
This plenary is chaired by Hayal Akarsu (EASA President, Utrecht University), and organised by Ana Ivasiuc (on behalf of the exec) and Sahana Udupa.

The Local Committee and the City of Poznań are delighted to offer this free outdoor concert, thematically tailored to EASA2026! The concert is sponsored as part of the Poznań Civic Fund.
Rusałka Lake is an artificial reservoir located within city limits: it is a location which holds many often painful stories They can be experienced while walking around Rusałka with the ŁAPP Poznań app, and the website provides more information on the lake’s history.
Schedule
19:30 Anastasia Rydlevskaya

A Belarusian multidisciplinary artist based in Gdańsk, whose work blurs the lines between music, visual arts, and performance. Since launching her music career in 2023, she has released three albums—"When I Can’t Speak," "Mugwort," and "Snake Charmer"—which have collectively surpassed one million streams on digital platforms.
Her sound fuses the energy of electronic pop with indie elements, interwoven with Belarusian pagan roots, folkloric textures, and deeply personal lyricism. Songs like "Dance on My Own" (over 600,000 streams) and "Rainbow Serpent" (over 100,000 streams) have established her as an artist who speaks of independence, sensuality, and uncompromising honesty.
But Rydlevskaya's work transcends sound. She is also a renowned visual artist, known for her masks, embroidered objects, and large-scale installations presented in Poland, Germany, France, Spain, Lithuania, and Switzerland. In 2025, her work became part of Warsaw Gallery Weekend, and her objects and performances shaped the set of the REFASHIONED fashion show. She was also featured in Wysokie Obcasy magazine and presented an exhibition (Divny Sad) and a concert (Snake Charmer) at the Retroperspektywy festival in Łódź.
On stage, Anastasia transforms concerts into ritual journeys. Her performances are immersive experiences in which voice, electronics, and visual art merge into one. From intimate shows in Warsaw and Poznań, to festival stages at Sea You in Gdańsk and Stereolux in Nantes, she has earned a reputation for creating hypnotic and liberating spaces.
Her path was far from ordinary: from childhood in Ohio, through adolescence in Minsk under political repression, to finding creative refuge in Poland. Rydlevskaya has transformed her biography into raw artistic material. Each project is an act of survival and transformation.
Today, Anastasia Rydlevskaya is one of the most expressive new voices on the Eastern European scene – a true snake charmer who transforms fear into beauty, pain into ritual, and sound into living vision.
IG ➝ instagram.com/rydlevskaya_a
FB ➝ facebook.com/arydlevskaya
YT ➝ youtube.com/@rydlevskaya
TT ➝ tiktok.com/@rydlevskaya_music
Spotify ➝ open.spotify.com/artist/2AZK9tbrKzZESi5qbEko2C
Telegram ➝ https://t.me/arydlevskaya
21:00 Sw@da x Niczos

A Podlasie duo that took the national scene by storm, opening a whole new chapter in alternative music. Their work is a fusion of club sounds from the global south—baile funk, Afrobeat, jersey club, and phonic distortion—with local folklore from the Białystok area. This blend gives birth to Podlasie Bounce, a unique genre that the duo created and defined themselves!
Their debut album #INDAWOODS, nominated for a Fryderyk Award, proved that locality can become a springboard to something new and universal. In 2025, they were just one step away from Eurovision, attracting the attention of audiences and media with a fresh perspective on Polish musical identity.
On stage, they're a force of nature – Sw@da x Niczos's concerts are trance-like, dance rituals that combine traditional singing, rap in the Podlasie micro-language, and powerful club beats. It's a project that shatters the boundaries between folk, alternative, and hip-hop, creating a new community around borderland music.
IG ➝ instagram.com/swadaxniczos/
FB ➝ facebook.com/swadaxniczos
YT ➝ youtube.com/@swadaxniczos
TT ➝ tiktok.com/@swadaxniczos
Spotify ➝ open.spotify.com/artist/43QBxtuscxneLyKYYEFfEu?si=BKO4-5FBQ4OJBYao0C0rSA
How to get to the concert venue:
You can use public transportation – from the city centre (Most Teatralny), it takes approx. 20 min. by tram and bus, and then another 15-min. walk to the lake through the forest (there is an illuminated path leading to the concert area). Use jakdojade or googlemaps to check the route. You can also share a taxi with other conference participants.
About the event
Free admission!
Series Organizer: Pogoda Foundation
Strategic Sponsor: Enea
Partners: Rusałka Restaurant, Żywiec, Pepsi, Ilonn Hotel, MJP Drukarnia, WC Serwis, Polish Foundation for the Hearing Impaired, City of Poznań
Media Patrons: Radio Nowy Świat, Radio Afera, Radio Meteor, Freshmag, All In Poznań, Fotokulturalni, tenpoznań.pl,lepszypoznań.pl
We prioritise accessibility – thanks to our partnership with the Polish Foundation for the Hearing Impaired, every concert features an induction loop, allowing people with hearing aids to fully experience our concerts. The concert venue is barrier-free. Access to the stage is via a paved path, and both the Rusałka Restaurant restroom and the public restrooms located on the premises are equipped with a changing table for people with disabilities.
Financed by the City of Poznań as part of the Poznań Citizens' Budget for 2026.

Dagadane - photo by Domnika Dyka
There are trams available for the daily journey from the Morasko campus to the Concert Hall. The university has its own tram stop and trams run frequently. The Concert Hall will be the location for the conference plenary talks through the week.