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Paper Short Abstract:

I analyze “resonances” inside Multi-Family Structured Psychoanalytic Therapy in Buenos Aires, where both analysands and analysts shift their attention from the semantic content of talk to its poetic structure and thereby discover the “real motives and feelings” which animate the utterance.

Paper Abstract:

In this presentation I focus on the concept of resonance as an embodied practice that defies the here-and-now of sound production through the poetic function by analyzing how words sound and resound in the listener. I explore “the music in the words” or how messages/sounds/words resonate in the therapeutic encounter. By analyzing excerpts from meetings of Multi-Family Structured Psychoanalytic Therapy (MFSPT) in Buenos Aires, in which both analysands and analysts shift their attention from the semantic content and referential function of an utterance to its poetic structure, I question what kinds of textual artifacts are being produced in this setting when the focus is not on the text but rather on what the text evokes in the listener. Moreover, I problematize the concept of intention when the “real motives and feelings” of the analysands inside MFSPT do not belong to the producer of the utterance but to the expert listener who is attuned to—or “touched” by in Nancy’s terms—the unconscious realm. In this setting, a particular form of reported speech emerges in which what is being reported is not an indirect or direct form of quotation, but instead the report of unconscious motives and actions. Thus, the type-token relationship in this form of quotation is complex, because many different tokens of the same type can emerge (e.g., when listeners hear different meanings in the same utterance). Thus, the diffuse, multivalent intentional organization associated with the poetic function comes to override the individualized intention localized in the speaker’s utterance.