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This contribution reflects on the use of the creative method of dialogue as research in the context of a research project on the experiences of female activists in the Baloch rights movement in Pakistan, examining the women's experiences in the light of their gender, age, ethnicity, class, religion.
This contribution reflects on the use of the creative method of dialogue as research in the context of a research project on the experiences of female activists in the Baloch rights movement in Pakistan, examining the women's experiences in the light of their gender, age, ethnicity, class, religion.