Contribution short abstract:

This presentation proposes the concept of 'elusive politics' as a theoretical framework for forms of activism in which actors deliberately avoid explicitly articulating their objective of struggle and instead utilize more subtle, elusive means of struggle.

Contribution long abstract:

This presentation proposes the concept of 'elusive politics' for forms of activism in which actors refrain from explicitly naming their goal of struggle and instead use more elusive means of struggle. The concept is explored through the ethnographic case of 'cultural activism' in Bangladesh. Secularists in Bangladesh frequently pursue their political objectives through cultural activism. While these actors are committed to the establishment of a secular, progressive, and non-communal society, they often refrain from explicitly articulating their politics due to the sensitivity of their goals. Instead, cultural performances allow them to instantiate and embody a secular ethos with transformative potential, expressed through distinct cultural genres that become recognized as secular aesthetics. While activists regard culture as a morally superior and 'purer' means to promote their political aims than party politics, which they perceive as 'dirty' and corrupt, cultural traditions are not neutral ground from which to enact secular aspirations. This presentation explores the phenomenon of acting politically while trying to avoid politics, and the reasons why people might choose comparatively elusive forms of political engagement despite their strong commitment to a cause. The discussion highlights the ethical and political ramifications of such elusive politics. By examining less tangible forms of politics, we are able to rethink the role of political messages and visibility in social movements. In doing so, it is possible to highlight the significant role, as well as contradictory implications, of aesthetics, embodiment, and gestures in political action.