Simone Dennis
(The University of Adelaide)
Stella Burgess
(Australian National University)
Evie Haultain
(Australian National University)
Rowena McPhee
Beth Weaver
(Australian National University)
Sarah Pilgrim
(Australian National University)
Send message to Convenors
Start time:
6 June, 2022 at
Time zone: Europe/London
Session slots:
1
Academic – student collaborations.
Studio Studio3 at conference ASA2022.
Much ostensibly research-led teaching in Anthropology, despite acknowledging variation in students’ ways of thinking and knowing, ends up reproducing established disciplinary paradigms. Yet this runs counter to Anthropology’s declared aim, to take other ways seriously. To break the cycle of paradigmatic reproduction means recognising that every student is different. As a discipline, Anthropology calls for self-awareness of one’s own singular approach to things. For students, developing this awareness is a research endeavour in itself. It cannot however be taught. Anthropological educators can only tell of how it was for them. This student-led studio will ask what possibilities arise from rethinking student-teacher relations along these lines.
Description:
In this studio we welcome ideas that trouble the maieutic relations that often structure relations between teachers and learners in higher education. Contexts explicitly identified as ‘research-led’ can miss something foundational to anthropological research: the capacity for one’s ideas and practices to be altered by those of others. Such contexts can, indeed, mask the perpetuation of the very kind of teaching that aims to bring paradigmatic ideas to student consciousness. Even if anthropological educators are ready to acknowledge different ways of thinking among their students, their own knowledge may remain untroubled or unaltered by them. The result is to produce sameness out of otherness.
For a discipline like Anthropology, for which exposure to the unfamiliar is key to learning, this outcome is counterintuitive. It is not that we have to accept all and any ideas from novice students, but we do need to think seriously about the consequences of the reproduction of sameness. With universities as they are, students might find themselves in much the same position as the marginalised, whose differences are registered, even accommodated, but never permitted to change anything. The result is no less than the theft of the future. One way to avoid such an outcome is by recognising the unique way in which every student comes to know what they do. This uniqueness is especially important in Anthropology, since what is so distinctive about anthropological work is that the person herself, and not some external apparatus, is the principal means by which material is gathered and analysed. It is important, therefore, that the student should become aware of, and reveal, her particular biases, situations and connections, allowing the recipients of her work both to interpret her account and to respond to it in their own ways. Since Anthropology is about coming to know the familiar world anew, it is critical to be able to show how it is known. Becoming aware of the processes of learning and understanding embedded in one’s own anthropological practice – its philosophy if you will – is a genuine research endeavour. In this, we are all in the same boat. We cannot, as teachers, instruct students in this particular aspect of practice, or expect them to replicate our ways of doing things. We can only tell them about how it was for us, and then be prepared to compare, to be surprised by, challenged by and learn from, how they each did it.
What other possibilities become available when we rethink the relations between students and teachers? What urgencies, anxieties and concerns provoke us to rethink them? What consequences might follow? For whom, or for what? This studio not only invites participants to respond to these questions with proposals, provocations, solutions and interjections of their own; it also welcomes them into a context in which the studio’s student co-conveners will take the lead, alongside seasoned anthropologists, in addressing them. What will they make of what they encounter in the studio, and what negotiations, conversations and disputations might ensue that could trouble the reproduction of paradigmatic disciplinary expertise in the classroom? What can this exercise teach us about student-teacher relations?
A discussion contribution featuring students from a new module - Anthropology in the World. Exploring critical perspectives on anthropological orthodoxies, and heterodoxies, from the standpoint of critical, creative praxis.
Paper long abstract:
Headless Anthropology
In this discussion we want to present ideas emerging from a new, co-conceived third year module, ‘Anthropology in the World’, currently being rolled-out at the University of Sussex. The co-teaching of this module (between tutor, students and other participants) has opened out a range of critical perspectives on anthropological norms and orthodoxies, pertaining to neuro-diversity, ‘able-bodyliness’, race, ethnicity, gender and sexuality diversities. Erasures within the matrices of ‘straight’ anthropological teaching have been taken up in our class to refract back into the discipline itself, and to wonder anew about the teaching of anthropology, from marginal perspectives. Seditious standpoints are emerging, not simple in the form of diametric critique, but as surfacing through reflections on the field of anthropological learning and knowledge-making. The photograph that we wanted to include with this abstract (but which cannot be uploaded on this submission system) is taken from one of our classes. It is of a Lego model depicting ‘headless’ anthropology students under the whip of canonical structures and teaching. We want to wonder, in our discussion, about the salience of anthropological education as it may predicate top-down knowledge production, and ontological ellipses – cutting students off at the head. We seek to connect this to other metaphors of knowledge production, and headlessness, within anthropological thinking. This is against the background, we proffer, of forms of pedagogy that may otherwise imagine themselves to be engendering creative praxis and independent thinking.
This submission is made by the module tutor, Paul Boyce, who is registered on the ASA system, but is made in the name of the whole class as a collective action. Holly Cawsey, Toju Cox, Hannah Godden, Martha Horner, Natasha Jenks, Gabe Khan, Natalia Kossyvaki, Ophelia Mancey, Mariam Pari, Lyndon Pitt, Abbie Sinfield, Tabitha Tingle, Aaron Wallace
In this paper I reflect on my efforts to create an educational common in a cultural anthropology course through kōrero tahi, a procedure for managing group discussions as described by Pākehā anthropologist Dame Joan Metge (2001).
Paper long abstract:
In this paper I reflect on my efforts to create an educational common in a cultural anthropology course through kōrero tahi, a procedure for managing group discussions as described by Pākehā anthropologist Dame Joan Metge (2001). Kōrero tahi, a Māori phrase that Metge translates as “talking together, the opposite of talking past each other” (2001: 6), offers a framework for commoning grounded in Māori values and inspired by the vision of partnership implicit in Te Tiriti o Waitangi, the founding document of Aotearoa New Zealand. This seemed ideal for a new course I was to teach at Te Herenga Waka—Victoria University of Wellington, ‘Anthropology, Education, and Social Change,’ which was open to undegraduate students from a variety of backgrounds and academic disciplines. In this paper I discuss how we used kōrero tahi to attend to our classroom and the process of learning and teaching anthropology together.
Stella Burgess (Australian National University)
Evie Haultain (Australian National University)
Rowena McPhee
Beth Weaver (Australian National University)
Sarah Pilgrim (Australian National University)
Short Abstract:
Much ostensibly research-led teaching in Anthropology, despite acknowledging variation in students’ ways of thinking and knowing, ends up reproducing established disciplinary paradigms. Yet this runs counter to Anthropology’s declared aim, to take other ways seriously. To break the cycle of paradigmatic reproduction means recognising that every student is different. As a discipline, Anthropology calls for self-awareness of one’s own singular approach to things. For students, developing this awareness is a research endeavour in itself. It cannot however be taught. Anthropological educators can only tell of how it was for them. This student-led studio will ask what possibilities arise from rethinking student-teacher relations along these lines.
Description:
In this studio we welcome ideas that trouble the maieutic relations that often structure relations between teachers and learners in higher education. Contexts explicitly identified as ‘research-led’ can miss something foundational to anthropological research: the capacity for one’s ideas and practices to be altered by those of others. Such contexts can, indeed, mask the perpetuation of the very kind of teaching that aims to bring paradigmatic ideas to student consciousness. Even if anthropological educators are ready to acknowledge different ways of thinking among their students, their own knowledge may remain untroubled or unaltered by them. The result is to produce sameness out of otherness.
For a discipline like Anthropology, for which exposure to the unfamiliar is key to learning, this outcome is counterintuitive. It is not that we have to accept all and any ideas from novice students, but we do need to think seriously about the consequences of the reproduction of sameness. With universities as they are, students might find themselves in much the same position as the marginalised, whose differences are registered, even accommodated, but never permitted to change anything. The result is no less than the theft of the future. One way to avoid such an outcome is by recognising the unique way in which every student comes to know what they do. This uniqueness is especially important in Anthropology, since what is so distinctive about anthropological work is that the person herself, and not some external apparatus, is the principal means by which material is gathered and analysed. It is important, therefore, that the student should become aware of, and reveal, her particular biases, situations and connections, allowing the recipients of her work both to interpret her account and to respond to it in their own ways. Since Anthropology is about coming to know the familiar world anew, it is critical to be able to show how it is known. Becoming aware of the processes of learning and understanding embedded in one’s own anthropological practice – its philosophy if you will – is a genuine research endeavour. In this, we are all in the same boat. We cannot, as teachers, instruct students in this particular aspect of practice, or expect them to replicate our ways of doing things. We can only tell them about how it was for us, and then be prepared to compare, to be surprised by, challenged by and learn from, how they each did it.
What other possibilities become available when we rethink the relations between students and teachers? What urgencies, anxieties and concerns provoke us to rethink them? What consequences might follow? For whom, or for what? This studio not only invites participants to respond to these questions with proposals, provocations, solutions and interjections of their own; it also welcomes them into a context in which the studio’s student co-conveners will take the lead, alongside seasoned anthropologists, in addressing them. What will they make of what they encounter in the studio, and what negotiations, conversations and disputations might ensue that could trouble the reproduction of paradigmatic disciplinary expertise in the classroom? What can this exercise teach us about student-teacher relations?
Accepted contributions:
Session 1