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Accepted Paper:
Beyond Subalternity: The Political Aesthetics and Ethics of Adivasi Resistance in Contemporary Jharkhand
Uday Chandra
(Georgetown University, Qatar)
Paper short abstract:
This paper probes into the tropes and strategies by which the modes, mechanisms, and meanings of modern state power have been reworked and resisted in two apparently opposed moments of resistance: the "peaceful" Koel-Karo anti-dam movement of the 1980s and the ongoing "violent" Maoist movement.
Paper long abstract:
Adivasis are typically viewed by scholars, activists, and policymakers alike as primitive subjects trapped within modern state imaginaries. Adivasi politics, therefore, is understood vis-a-vis the dramaturgy of postcolonial tragedy. Such an understanding, I argue, denies any meaningful agency to adivasis, and prevents an exploration of the rich, multi-layered performances of resistance through which adivasi subject-formation is successfully negotiated in postcolonial India. Based on ethnographic fieldwork in contemporary Jharkhand, this paper probes into the myriad tropes and strategies by which the modes, mechanisms, and meanings of modern state power have been reworked and resisted in two apparently opposed moments of resistance: the "peaceful" Koel-Karo anti-dam movement of the 1980s and the ongoing "violent" Maoist movement. In doing so, I show how the aesthetics of power are tied inextricably, albeit ironically, to the ethics of subaltern resistance, each acting and reacting upon the other to define the potentialities of and proscriptions on political expression in the margins of the postcolony.
(Dis-)Locating the political: the aesthetics of self-making in postcolonial India
Session 1