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Accepted Paper:
Reflecting upon the predicament of digital image-making in South Asia
Paolo S. H. Favero
(University of Antwerp)
Giulia Battaglia
(IRMECCEN, Sorbonne Nouvelle)
Paper short abstract:
This paper aims to set the field for a number of theoretical reflections regarding the intersection between digital image-making and film in the South Asian context. To what extent can the essence of digital images influence the practices of filming and image-making at large? What are the politics of this process? How do such aspects reflect themselves upon the specificities of the South Asian context?
Paper long abstract:
This paper aims to set the field for a number of theoretical reflections regarding the intersection between digital image-making and film in the South Asian context. To what extent can the essence of digital images influence the practices of filming and image-making at large? What are the politics of this process? How do such aspects reflect themselves upon the specificities of the South Asian context?
Panel
P20
Screening India through digital image-making
Session 1