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In game viewing seemingly ‘natural’ spaces are reconfigured to visitor expectations. Many visitors to re-wilded game parks in Southern Africa are unaware that the so-called ‘reserve’ (a term that implies some sort of environmental preservation) has been recently fabricated out of farmland that is being allowed to revert to some form of what Peterken (1996) termed an ‘earlier condition’. Easily viewable ‘wild spaces’ are created and although plausible and ‘natural’ if viewed from a rest-camp lounger, are as formally constructed as any other aspect of a game reserve. It is argued these settings evoke the formal proscenium arch of Western theatre.
In game viewing seemingly 'natural' spaces are reconfigured to visitor expectations. Many visitors to re-wilded game parks in Southern Africa are unaware that the so-called 'reserve' (a term that implies some sort of environmental preservation) has been recently fabricated out of farmland that is being allowed to revert to some form of what Peterken (1996) termed an 'earlier condition'. Easily viewable 'wild spaces' are created and although plausible and 'natural' if viewed from a rest-camp lounger, are as formally constructed as any other aspect of a game reserve. It is argued these settings evoke the formal proscenium arch of Western theatre.