Paper short abstract:

This paper explores the changing values attached to Abelam objects from Papua New Guinea, which have been collected and represented for over a century, In particular the paper will examine which theories of value assist us in understanding these transformations.

Paper long abstract:

Since the early twentieth century Abelam objects from Papua New Guinea have been highly valued as a major indigenous art form. Highly valued in terms of visual impact and complex cultural context, these objects have not only been widely collected but also the subject of significant ethnographic study. Methods of collection and representation have changed during this period, as has the Abelam area itself, with dramatic transformations in the cultural system that produced the objects. While there has been a significant reduction in the architecture and objects produced over this time, the period has also seen Abelam artists included in international art events, such as the Asia-Pacific Triennial of Art, in Brisbane, 2012.

This long and complex history of collection and representation presents an opportunity to explore the notion of value as applied to Abelam objects in a variety of contexts and in transformation through time. This paper will chart the different ways that collection has taken place from the early period through to the Asia-Pacific Triennial, as well as changing modes of representation in exhibition. Through this examination the paper will seek to unravel what kinds of value were attached to these objects in different contexts and will also investigate whether different theories of value are useful, or not, in understanding these transformations.