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Jonas Tinius (Humboldt-Universität zu Berlin)

Department: Berlin-Brandenburg Office for Everyday Culture, Institute for European Ethnology
Nationality: German
Country: Germany
Interests (keywords): Public Culture, Art, Heritage
Highest Degree: PhD in Social Anthropology
Degree Awarding Institution: University of Cambridge

Bio:

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links

• ORCID
• Twitter

Links

• Personal
• Academia.edu
• GoogleScholar

Panels

• EASA2026: Dialogic Fragments of the Contemporary: Building a Critical Glossary across Anthropology and Art [ANTART]
• EASA2024: Scrap the museum, decolonise anthropology? Redoing the anthropology-museum nexus
• ASA2021: Taking responsibility for colonial heritage in Europe? Perspectives from organisational ethnographies II
• ASA2021: Taking responsibility for colonial heritage in Europe? Perspectives from organisational ethnographies I
• ASA19: Shadows of the present: generative ambivalences across art, heritage, and materiality
• ASA2018: Time and tradition: theorising the temporalities in and of cultural production
• EASA2018: Art and nativism [Anthropology and the Arts Network]
• RAI2018: The Future of Anthropological Representation: Contemporary Art and/in the Ethnographic Museum
• SIEF2015: Micro-utopias: exploring connections in anthropology, relationality and creativity
• EASA2014: Relational patrons: anthropological perspectives on transnational and intimate art collaborations
• IUAES2013: 'All the world's a stage': the social and political potentialities of theatre and performance

Papers

• EASA2024: Beyond the universal machine: the curatorial as narrative possibility for world-making
• EASA2020: Rehearsing Serendipity: Reflections on the role of routine, rehearsals, and rupture in performance creation
• ASA19: Postindustrial heritage and the irony of regeneration, or: we have never been postindustrial
• EASA2018: Art and Heimat: Cultural contestations of a (German) notion
• RAI2018: The Culture State: German theatre, Bildung, and Political Self-cultivation
• SIEF2017: Momentary dwellers: experimental art-ethnography collaborations and sensory research
• SIEF2017: Puzzling homes: narrating European crisis and future heritage
• SIEF2015: Poïetic art: political theatre as micro-utopia
• EASA2014: Creativity, ethics, patronage and the anthropologies of art
• EASA2014: The unethical aesthetic? Reflections on patronage, collaboration, and the Gurlitt case
• IUAES2013: 'Bastardos of all countries, unite!': On international theatre exchange and an aesthetic of transformation